Periscope SD Streaming https://archive.org/details/19474tacomanarrowsbridgecollapsecolormosvwr
Video format
Best English-friendly & video release · updated 4 months ago
Overview
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge after exiting his car. In 1998, The Tacoma Narrows Bridge Collapse was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. This footage is still shown to engineering, architecture, and physics students as a cautionary tale. Elliott's original film of the construction and collapse of the bridge was shot at 16 frames a second, on 16mm Kodachrome film, but most copies in circulation are in black and white because newsreels of the day copied the film onto 35 mm black-and-white stock (not to mention, often showed the film at the wrong speed).
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: William Wyler
Also available in Kino Lorber The Cold Blue Blu-ray as HD extras, or available on streaming
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/%20Otherwise there are DVDs
Directors: Frank Capra & Anatole Litvak
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/ Otherwise there are DVDs
Director: Frank Capra
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
Directors: Frank Capra & Hugh Stewart & John Huston & John Boulting & Roy Boulting
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
Director: Frank Capra
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
Director: Frank Capra
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
Sources: Blu-ray.com (opens in a new tab)
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
More Documentary on Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has excellent master in SDR and a good encode. BD caps here.
Kino Lorber 4K Blu-ray has poor audio: The 2.0 is fine but unremarkable, the 5.1 is presumably an upmix with a botched, strongly raised LFE channel which makes the entire track unlistenable on well-tuned equipment. Audio graphs here.
Sources: slow.pics (opens in a new tab)
While it's included on both Criterion The Palm Beach Story extras and Arrow's Sullivan's Travels' extras, Criterion uses a different source and is vastly superior, see caps
Director: Ebrahim Golestan
Director: Ebrahim Golestan
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Every recommendation follows the same method — how these calls are made.