Lee Van Cleef
9 Films
Lee Van Cleef
9 Included Films
Clarence LeRoy "Lee" Van Cleef Jr. (January 9, 1925 – December 16, 1989) was an American actor best known for his roles in Spaghetti Westerns such as For A Few Dollars More and The Good, the Bad and the Ugly. Hatchet-faced with piercing eyes, he had declined to have his nose altered to play a sympathetic character in his film debut, High Noon, and was relegated to a non-speaking outlaw as a result. For a decade he was typecast as a minor villain, his sinister features overshadowing his acting skills. After suffering serious injuries in a car crash, Van Cleef began to lose interest in his apparently waning career by the time Sergio Leone gave him a major role in For a Few Dollars More. The film made him a box-office draw, especially in Europe. Despite suffering from heart disease from the late 1970s and having a pacemaker installed in the early 1980s, Van Cleef continued to work in films until his death on December 16, 1989, at age 64. He was buried at Forest Lawn Memorial Park Cemetery, Hollywood Hills, California, with an inscription on his grave marker referring to his many acting performances as a villain: "BEST OF THE BAD".
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode.
See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.
Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.
Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.
I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
Eureka 4K UHD image is frequently stunning and far better than the Kino UHD using the same master. (no surprise) However there is frozen grain throughout baked into the Paramount master, some shots are soft due to management (some are inherently soft) and the HDR is questionable in areas. In some areas the old Eureka BD using the same scan in SDR is preferable. As usual, the issues are Paramount's doing and the only way to escape them would be starting from scratch.
1992 Republic LaserDisc
Kino and Eureka UHDs have a mix of new and legacy extras. To have every supplement you will need both UHDs and the original Criterion Laserdisc for the exclusive commentary.
Director: Fred Zinnemann
MoC 4K Blu-ray, both Kino Lorber and Germany Filmjuwelen 4K Blu-ray have poor encode.
See nicolas review on Eureka Blu-ray. It seems the 4K restoration on that disc and the Olive Films Signature US release served as the basis for the HDR master Kino Lorber commissioned. There are the same traces of grain management in the opticals and the small number of shots from a lower quality source that were spliced in between the OCN footage. The SDR grayscale looks great though and after having compared everything, I would’ve preferred a 4K SDR release. The Eureka Blu-ray release wasn’t encoded by FiM and it shows. For those with the Blu-ray and an appreciation for optimal encoding, consider an upgrade.
Kino Lorber 4K Blu-ray: It seems that Kino Lorber commissioned the HDR/DV grade and some additional cosmetic work on the master. They used to mention "… brand new master by studio X" on their back covers when they were supplied with ready-made materials. This isn’t the case here but maybe someone’s in the know and things are different. The HDR grade is darker than the SDR one and flattened the grayscale quite significantly. I mentioned this in the Sabrina and Sunset Boulevard thread as well but I’m not really a fan of these grades and doubt that they’re enhancing the grayscales to make them appear more film-like. I’ve seen worse and it’s not the end of the world when the film is viewed in a dark environment but don’t expect anything as luminous and sparkly as The Big Heat. Kino Lorber’s encoding can be seen here via ko8ebryant’s caps.
Eureka 4K Blu-ray (BD-100): Same 4K master and same HDR grade as on the Kino Lorber 4K but now expertly encoded. Thanks to no compression anomalies standing in the way, we can now scrutinize the master much better. In comparison with the SDR master, I noticed that there are opticals that got hit with further noise reduction and sometimes egregiously so, such as in the scene with Grace Kelly at the train station at roughly 18 minutes into the film. Parts of that scene were sourced from a lower-quality source. In the HDR master, grain was practically erased altogether whereas in the 4K SDR master on the Eureka Blu-ray, grain is visible in the same shot despite the iffy encoding.
I’d still recommend the Eureka 4K Blu-ray as the OCN shots and scenes are frequently gorgeous, beautifully detailed and at most only minimally tampered with. The imperfect HDR grade bugs me but I’ll still use Eureka’s 4K Blu-ray for my future viewings due to the FiM encode.
Eureka 4K UHD image is frequently stunning and far better than the Kino UHD using the same master. (no surprise) However there is frozen grain throughout baked into the Paramount master, some shots are soft due to management (some are inherently soft) and the HDR is questionable in areas. In some areas the old Eureka BD using the same scan in SDR is preferable. As usual, the issues are Paramount's doing and the only way to escape them would be starting from scratch.
1992 Republic LaserDisc
Kino and Eureka UHDs have a mix of new and legacy extras. To have every supplement you will need both UHDs and the original Criterion Laserdisc for the exclusive commentary.
Director: Joseph H. Lewis
US Ignite 4K Blu-ray
US Ignite 4K Blu-ray see caps
Director: Joseph H. Lewis
US Ignite 4K Blu-ray
US Ignite 4K Blu-ray see caps
Kino Lorber 4K Blu-ray is disappointing (review)
Kino Lorber 4K Blu-ray is disappointing (review)
Director: Budd Boetticher
Indicator Blu-ray has better presented extras plus additional unique extras.
Director: Budd Boetticher
Indicator Blu-ray has better presented extras plus additional unique extras.
Directors: Henry Hathaway & John Ford & George Marshall
Warner Bros Blu-ray 2-Disc version (Digibook) for the Smilebox presentation
Warner Bros Blu-ray 2-Disc version (Digibook) for the Smilebox presentation
Directors: Henry Hathaway & John Ford & George Marshall
Warner Bros Blu-ray 2-Disc version (Digibook) for the Smilebox presentation
Warner Bros Blu-ray 2-Disc version (Digibook) for the Smilebox presentation
Paramount 4K Blu-ray but poor encode, no alternatives though
Paramount 4K Blu-ray but poor encode, no alternatives though
Arrow 4K Blu-ray > Kino Lorber, see caps
1984 Key Video Hi-Fi VHS
Arrow 4K Blu-ray > Kino Lorber, see caps
1984 Key Video Hi-Fi VHS
Arrow 4K Blu-ray > Kino Lorber, see caps https://slow.pics/c/P4E9uTHR
Arrow 4K Blu-ray for English dub, Kino Lorber 2017 Blu-ray for Italy dub
Arrow 4K Blu-ray > Kino Lorber, see caps https://slow.pics/c/P4E9uTHR
Arrow 4K Blu-ray for English dub, Kino Lorber 2017 Blu-ray for Italy dub
Italy Eagle Pictures 4K Blu-ray > Shout Factory 4K Blu-ray > StudioCanal 4K Blu-ray (Shout Factory has Dolby Vision while Eagle Pictures doesn't)
2.0: Shout Factory > StudioCanal. Italy Eagle Pictures doesn't have it.
Italy Eagle Pictures 4K Blu-ray > Shout Factory 4K Blu-ray > StudioCanal 4K Blu-ray (Shout Factory has Dolby Vision while Eagle Pictures doesn't)
2.0: Shout Factory > StudioCanal. Italy Eagle Pictures doesn't have it.
9 films