Best English-friendly release · updated 5 months ago
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slow.picsOverview
A prelude to Tongues (1982) which languishes over love and its effect on people.
Director: Shirley Clarke
Director: Shirley Clarke
Director: Shirley Clarke
Directors: Rob Epstein & Nancy Adair & Peter Adair & Lucy Massie Phenix & Veronica Selver & Andrew Brown
Directors: Winsor McCay & J. Stuart Blackton
Director: Winsor McCay
Director: Lionel Rogosin
More Drama on Blu-ray
Arrow UK 4K Blu-ray > Paramount US, same black crush as the US disc but encoded by FiM and very good new supplements
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray has MEL Dolby Vision
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Rob Reiner
UK Arrow 4K Blu-ray > US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Criterion 4K Blu-ray is slightly better than French 4K Blu-ray see caps
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Ingmar Bergman
Director: George Cukor
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