Anchorman 2: The Legend Continues (2013)
Comedy • 1h 59m
Overview
With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.
Director: Adam McKay
Cast: Will Ferrell, Steve Carell, Paul Rudd, David Koechner, Christina Applegate, Dylan Baker, Meagan Good, Judah Nelson, James Marsden, Greg Kinnear, Josh Lawson, Kristen Wiig, Fred Willard, Chris Parnell, Harrison Ford, Bill Kurtis, June Diane Raphael, Tom Clark, Jennifer Felton, Drake, Daisy Pareja, Pearl McKay, Axel Ferrell, Magnus Ferrell, Mattias Ferrell, Eliza Coupe, Matt Rebenkoff, Paul Schneider, Brian F. Durkin, Zoe Myers, Clark Sarullo, Billy Woods, Anna Enger Ritch, George Faughnan, Paul Chappell, Fred Galle, Patrick J. Williams, Jamie Moore, Matthew Cornwell, Dane Davenport, Dan Triandiflou, James Smith, David Silverman, Dave Pileggi, Clay Stapleford, Jayson Warner Smith, David Dwyer, Courtney Patterson, Kelly Tippens, Jon Hayden, Ron Prather, Gary Weeks, Stephanie Ming, Kellen Marcus, L. Warren Young, Darlene French, E. Roger Mitchell, Michael D. Menapace, Patricia French, Paula Pell, Andrew Feltenstein, John Nau, Mia D. Braswell, Simuel Campbell, Micah Stampley, Wilbur Fitzgerald, Karen Beyer, Brian Steele, Sacha Baron Cohen, Marion Cotillard, Micheál Richardson, Will Smith, Kirsten Dunst, Joe Washington, Jim Carrey, Sarah Spencer Yerger, Steve Coulter, Tina Fey, Kimberly Dawn Guerrero, Liam Neeson, Amy Poehler, John C. Reilly, Richard Saxton, Lori Beth Sikes, Vince Vaughn, Ye, Nickolas Wolf, William Tokarsky, Jessica Brown, Margaret Moseley, Jessica Peralta, Evan D. Anderson, JoAnn Bernat, Larry A. Brewer, Augie Buttinelli, Lisa Catara, Jon Cioffi, Taber Cross, Ellie Decker, Lisa Finlayson, Josh Forshee, William Frasca, Victor Gage, Jeff Glover, Tony Guerrero, Dawn Hamil, Moe Hindi, CC Ice, David Itchkawitz, Lori Morkunas Jones, Victor Jones, King, Colin Lacativa, T. Alloy Langenfeld, Alberto David Mercado, Gary Miller, Gary Nguyen, Robert F. Nixon, Kate Nowlin, Phillip O’Riley, Carly Jordan Pancher, David Pascua, Christopher Payne, Martin Peña, Brittany Piacente, Beth Pilgreen, Brandi Quinn, Joel Rogers, Shade Rupe, Sebastian Shepherd, Dave Simmons, Randall Taylor, Rob Tunstall, Ken Venzke, Hannah Westerfield, Luke Westerfield, Tony Westerfield, Hal Whiteside
Sony 4K Blu-ray see caps
Sony 4K Blu-ray see caps
Paramount 4K Blu-ray (Unrated cut on Blu-ray)
Paramount 4K Blu-ray (Unrated cut on Blu-ray)
Director: Stanley Donen
Director: Stanley Donen
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
More Comedy on Blu-ray
Director: Henry Koster
Director: Henry Koster
Director: Paul King
Director: Paul King
Director: Charles Lamont
Director: Charles Lamont
Edit History
Made with ❤️ 📀 by vanshady