The Joyless Street (1925)
Die freudlose Gasse
Drama • 2h 28m
Overview
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Director: G.W. Pabst
Director: G.W. Pabst
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film9/blu-ray_review_122/the_love_of_jeanne_ney_blu-ray.htm
Director: G.W. Pabst
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film9/blu-ray_review_122/the_love_of_jeanne_ney_blu-ray.htm
Director: G.W. Pabst
Director: G.W. Pabst
Director: G.W. Pabst
Director: G.W. Pabst
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Official Bundersarchiv 720p HD Streaming which given its release in 2025, likely to be the same new restoration by MoMA https://www.moma.org/calendar/events/11559
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: Frank Lloyd
Unofficial streaming
MoMA has 35mm print but no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Director: John G. Blystone
MoMA has completed digital restoration in 2026, no release yet
Directors: Stewart Bird & Deborah Shaffer
Directors: Stewart Bird & Deborah Shaffer
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: Yvonne Rainer
4K restoration done by MoMA and Kino Lorber as distributor, but no home release yet
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: D.W. Griffith
New digitized edition of MoMA’s definitive 1979 photochemical restoration, no release yet https://www.moma.org/calendar/events/11556
Kino Lorber Blu-ray Mastered in HD from the Museum of Modern Art's 35mm restoration, with original color tints
Director: Raoul Walsh
Director: Raoul Walsh
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray
Kino Lorber Ken Jacobs Collection, Vol. 1 Blu-ray is a new MoMA 2K restoration
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
Director: Jerome Hill
Official HD Streaming https://vimeo.com/1145694559
Official HD Streaming https://vimeo.com/1145694559 new 2025 restoration with MoMA
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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