The Boys in the Band (1970)
Drama • 1h 58m
Overview
A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
Director: William Friedkin
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
Director: William Friedkin
Director: William Friedkin
Director: William Friedkin
Director: William Friedkin
Director: William Friedkin
Both Kino Lorber 4K Blu-ray and Paramount Blu-ray are problematic. One reel of the Kino Lorber 4K Blu-ray looks inferior, and the Paramount Blu-ray has some edge enhancement. Pick your poison between the Kino Lorber 4K Blu-ray or the Paramount Blu-ray? Maybe the Kino Lorber Blu-ray included in the 4K Blu-ray is better
Director: William Friedkin
Both Kino Lorber 4K Blu-ray and Paramount Blu-ray are problematic. One reel of the Kino Lorber 4K Blu-ray looks inferior, and the Paramount Blu-ray has some edge enhancement. Pick your poison between the Kino Lorber 4K Blu-ray or the Paramount Blu-ray? Maybe the Kino Lorber Blu-ray included in the 4K Blu-ray is better
Kino Lorber 4K Blu-ray or France 4K Blu-ray for the extras?
Kino Lorber 4K Blu-ray or France 4K Blu-ray for the extras?
Director: William Friedkin
Director: William Friedkin
Director: William Friedkin
WB 4K Blu-ray retains the revisionist colors with minor tweaks, has OG mono
WB 4K Blu-ray retains the revisionist colors with minor tweaks, has OG mono
Director: William Friedkin
WB 4K Blu-ray retains the revisionist colors with minor tweaks, has OG mono
WB 4K Blu-ray retains the revisionist colors with minor tweaks, has OG mono
Director: William Friedkin
Criterion 4K Blu-ray. See Chris's review
Director: William Friedkin
Criterion 4K Blu-ray. See Chris's review
Director: William Friedkin
Director: William Friedkin
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Lou Breslow
Kino Lorber Blu-ray 2K restoration
Director: Lou Breslow
Kino Lorber Blu-ray 2K restoration
Director: Howard Hughes
Kino Lorber Blu-ray 2K restoration
Director: Howard Hughes
Kino Lorber Blu-ray 2K restoration
Director: Stuart Heisler
Kino Lorber Blu-ray 2K restoration
Director: Stuart Heisler
Kino Lorber Blu-ray 2K restoration
Indicator Blu-ray > Kino Lorber see DVDBeaver
Indicator is using a different restoration from earlier Kino Lorber Blu-ray and it has much better contrast and slightly better grain resolution
Indicator Blu-ray > Kino Lorber see DVDBeaver
Indicator is using a different restoration from earlier Kino Lorber Blu-ray and it has much better contrast and slightly better grain resolution
Director: Frank Borzage
While Indicator Blu-ray used a newer 4K restoration from 2022 instead of the older 2K restoration, Kino Lorber has the original aspect ratio, and the Indicator Blu-ray looks very soft in comparison see comparison
Director: Frank Borzage
While Indicator Blu-ray used a newer 4K restoration from 2022 instead of the older 2K restoration, Kino Lorber has the original aspect ratio, and the Indicator Blu-ray looks very soft in comparison see comparison
Kino Lorber Blu-ray, new 2K master
No caps available for French Elephant Films Blu-ray
Kino Lorber Blu-ray, new 2K master
No caps available for French Elephant Films Blu-ray
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
More Drama on Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Joe Wright
Director: Joe Wright
Director: Rob Reiner
Director: Rob Reiner
Director: Noah Baumbach
Director: Noah Baumbach
Director: Vincente Minnelli
Director: Vincente Minnelli
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