Best English-friendly & video release
Vinegar Syndrome 4K Blu-ray see caps
For Blu-ray, UK Second Sight is better than Kino Lorber Blu-ray
Updated 3 months ago
UHD tiers
About the film
A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
Director: William Friedkin
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Plaion have also released a BD sourced from Arrow's recent 4K remaster, holds up strongly in comparison https://caps-a-holic.com/c.php?d1=19341&d2=19005&c=5415
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
Director: William Friedkin
Director: William Friedkin
Both Kino Lorber 4K Blu-ray and Paramount Blu-ray are problematic. One reel of the Kino Lorber 4K Blu-ray looks inferior, and the Paramount Blu-ray has some edge enhancement. Pick your poison between the Kino Lorber 4K Blu-ray or the Paramount Blu-ray? Maybe the Kino Lorber Blu-ray included in the 4K Blu-ray is better
Kino Lorber 4K Blu-ray or France 4K Blu-ray for the extras?
Director: William Friedkin
Director: William Friedkin
Sources: Criterion Forum (opens in a new tab)
See Chris's review
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Jonathan Demme
Video format: UHD Blu-ray
Sources: vitalpassenger.com (opens in a new tab)
FiM are mistakenly credited, one of the four known instances of this for a Cinématographe title (the other three being Thieves Like Us, Who Killed Teddy Bear?, and The Gambler). 4K encode was done by Vital Passenger. https://vitalpassenger.com/our-work
Director: Jerry Schatzberg
Director: Lam Nai-choi
88 Films UK or Vinegar Syndrome US Blu-ray (preference)
Different color gradings, 88 Films disc is encoded by FiM but Vinegar Syndrome encode (by Marcus Johnson) is more than robust
Vinegar Syndrome potentially has better audio than 88 Films, due to VinSyn possibly having EQ'd the audio mix after Fortune Star scanned the track in a way that makes it sound too hot, whereas 88 left it alone without addressing that issue. However, no direct comparisons exist
Director: Hal Needham
2026 Vinegar Syndrome 4K Blu-ray, 2025 Umbrella 4K Blu-ray
Director: Trey Parker
UK Refuse Films or US Vinegar Syndrome Blu-ray
Both releases have two presentations: sourced from the original Betacam master tapes, and another that uses a filmout of the tapes.
Director: Joe Dante
Sources: Blu-ray.com (opens in a new tab) · YouTube (opens in a new tab)
Director: Abel Ferrara
Video format: UHD Blu-ray
Vinegar Syndrome 4K Blu-ray in July
More Drama on Blu-ray
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Compton Bennett
4K restoration from original technicolor negatives
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