No, No, Nanette (1930)
Comedy, Music • 1h 38m
Overview
A bible publisher is falling in love with a chorus girl and finds himself backing a Broadway show.
Director: Clarence G. Badger
Director: Marion Gering
Director: Marion Gering
Director: John Ford
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: John Ford
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Edgar Selwyn
Director: Edgar Selwyn
Director: William A. Wellman
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: William A. Wellman
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Film Detective or Film Masters Blu-ray 4K restoration from 35mm Original Camera Negative
Director: Nick Grindé
Director: Nick Grindé
Director: William Beaudine
Director: William Beaudine
Director: George B. Seitz
Director: George B. Seitz
Director: Lionel Barrymore
Director: Lionel Barrymore
Director: Frank Tuttle
Director: Frank Tuttle
Director: Dennis Hopper
BFI Blu-ray has better detail. Severin 4K Blu-ray has HDR but poor encode.
BFI Blu-ray renders grain structure better than Severin 4K Blu-ray’s disappointing encode, although Severin does feature an HDR grading with Dolby Vision. Furthermore, Severin’s soundtrack is worse due to the noise reduction applied.
Severin 4K Blu-ray has very good extras that are more relevant to the film
Director: Dennis Hopper
BFI Blu-ray has better detail. Severin 4K Blu-ray has HDR but poor encode.
BFI Blu-ray renders grain structure better than Severin 4K Blu-ray’s disappointing encode, although Severin does feature an HDR grading with Dolby Vision. Furthermore, Severin’s soundtrack is worse due to the noise reduction applied.
Severin 4K Blu-ray has very good extras that are more relevant to the film
Director: John Cassavetes
Director: John Cassavetes
Director: Ingmar Bergman
Director: Ingmar Bergman
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Roberto Rossellini
Director: Roberto Rossellini
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
More Comedy on Blu-ray
Undercrank Blu-ray 4K scan of 35mm nitrate print
Undercrank Blu-ray 4K scan of 35mm nitrate print
Director: Fritz Lang
Director: Fritz Lang
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Edit History
Made with ❤️ 📀 by vanshady