Bring It On (2000)
Comedy • 1h 38m
Overview
The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen.
Director: Peyton Reed
Cast: Kirsten Dunst, Eliza Dushku, Jesse Bradford, Gabrielle Union, Sherry Hursey, Holmes Osborne, Clare Kramer, Nicole Bilderback, Tsianina Joelson, Shamari DeVoe, Natina Reed, Brandi Williams, Richard Hillman, Lindsay Sloane, Nathan West, Rini Bell, Huntley Ritter, Bianca Kajlich, Cody McMains, Ian Roberts, David E. Taylor, Ashley Howard, Nikole Lee Amateau, Clementine Ford, Grant Thompson, Leonard Clifton, Marie Cole, Dru Mouser, Tracy Pacheco, Alicia Michelle Sassano, Natasha Soll, Ryan Drummond, Paullin Wolfe, David E. Willis, Beth LaMure, Anne Fletcher, Doug Waldo, Annie Hinton, Louise Gallagher, Edmond Clay, Daniella Kuhn, Aloma Wright, Paul Bloom, Melanie Atmadja, Peyton Reed, Jodi Harris, Nectar Rose, Hilary Angelo, Elizabeth Johnson, Riley Smith, Carla Mackauf, Anna Lisa Mendiola, Lisel M. Gorell, Brandon Henschel, Kenyetta Lethridge, Michael McCafferty
Director: Peyton Reed
Director: Peyton Reed
Director: Peyton Reed
Director: Peyton Reed
Director: Peyton Reed
Director: Peyton Reed
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Henry Selick
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray
2D Version: Laika/Shout! Factory 4K Blu-ray
3D Version: 2011 3D Blu-ray caps
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
UK Arrow 4K Blu-ray > US Shout! Factory
Arrow has a slightly better encode, edging out SF even with FEL, and has done some additional damage cleanup. Caps
UK Arrow 4K Blu-ray > US Shout! Factory
Arrow has a slightly better encode, edging out SF even with FEL, and has done some additional damage cleanup. Caps
Director: Takashi Miike
2026 Arrow 4K Blu-ray
2026 Arrow 4K Blu-ray
Original matrixed DTS Stereo mix: 2026 Arrow 4K Blu-ray
5.0 surround remix: 2009 Shout! Factory US Blu-ray
Arrow includes three audio tracks, matrixed stereo, discrete 4.0, and a 5.0 surround remix. Unfortunately, only the first one is usable. The 4.0 desyncs partway through. The 5.0 has incorrect (lower) pitch. Fortunately, the matrixed stereo track sounds great, but it is still a major disappointment.
There has been no replacement disc announced. See nicwood's BR post.
Director: Takashi Miike
2026 Arrow 4K Blu-ray
2026 Arrow 4K Blu-ray
Original matrixed DTS Stereo mix: 2026 Arrow 4K Blu-ray
5.0 surround remix: 2009 Shout! Factory US Blu-ray
Arrow includes three audio tracks, matrixed stereo, discrete 4.0, and a 5.0 surround remix. Unfortunately, only the first one is usable. The 4.0 desyncs partway through. The 5.0 has incorrect (lower) pitch. Fortunately, the matrixed stereo track sounds great, but it is still a major disappointment.
There has been no replacement disc announced. See nicwood's BR post.
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Mike Flanagan
US Shout! Factory or UK Arrow 4K Blu-ray (similar encoding)
Director: Paul Schrader
Shout! Factory 4K Blu-ray has DNR applied and encoding could be better. Possible issues in Dolby Vision
Great source, poorly encoded but it does look significantly better than the Blu-Rays.
Director: Paul Schrader
Shout! Factory 4K Blu-ray has DNR applied and encoding could be better. Possible issues in Dolby Vision
Great source, poorly encoded but it does look significantly better than the Blu-Rays.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
More Comedy on Blu-ray
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
Director: Dušan Makavejev
Transgressive Visions German 4K Blu-ray
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Director: Richard Linklater
Criterion has English subtitles burned in for the entire film, stylized to look like an old film print.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: George Pal
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Bros NTSC DVD
The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples
As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan
Warner Bros NTSC DVD
For the most part, the mono track available on the BD and UHD is fine, but there's an 8 minutes long segment which sounds terrible with artificially expanded frequency range causing very audible artifacting. The 5.1 remix doesn't have that issue. Sample
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
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