There Will Be No Leave Today (1959)
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Drama, TV Movie • 46m
Overview
Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
Directors: Andrei Tarkovsky & Aleksandr Gordon
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Directors: Marika Beiku & Andrei Tarkovsky & Aleksandr Gordon
Criterion The Killers set Blu-ray extras
Student film, available in Criterion The Killers set as extras or Streaming
Directors: Marika Beiku & Andrei Tarkovsky & Aleksandr Gordon
Criterion The Killers set Blu-ray extras
Student film, available in Criterion The Killers set as extras or Streaming
Director: Andrei Tarkovsky
Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Andrei Tarkovsky
Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Youtube Mosfilm stream is better than Criterion bonus feature of Andrei Rublev
Youtube Mosfilm stream is better than Criterion bonus feature of Andrei Rublev
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Germany Filmjuwelen is the best of the ones with the new restoration. Criterion/Artificial Eye are older restoration.
Potemkine/Lumière/Filmjuwelen all probably the same and best.
Director: Andrei Tarkovsky
Germany Filmjuwelen is the best of the ones with the new restoration. Criterion/Artificial Eye are older restoration.
Potemkine/Lumière/Filmjuwelen all probably the same and best.
Directors: Andrei Tarkovsky & Tonino Guerra
Kino Lorber Nostalghia Blu-ray
Documentary, included in Kino Lorber Nostalghia Blu-ray
Directors: Andrei Tarkovsky & Tonino Guerra
Kino Lorber Nostalghia Blu-ray
Documentary, included in Kino Lorber Nostalghia Blu-ray
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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