The Brood (1979)
Horror, Science Fiction • 1h 32m
Director: David Cronenberg
Cast: Oliver Reed, Samantha Eggar, Art Hindle, Henry Beckman, Nuala Fitzgerald, Cindy Hinds, Susan Hogan, Gary McKeehan, Michael Magee, Robert A. Silverman, Joseph Shaw, Larry Solway, Reiner Schwarz, Felix Silla, John Ferguson, Nicholas Campbell, Mary Swinton, Jerry Kostur, Chris Britton, Elijah Siegler
Best English-friendly & video release · updated 4 months ago
UHD tiers
Overview
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Director: David Cronenberg
Director: Terence Young
WB 4K Blu-ray despite frozen grain
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: David Lynch
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: John Badham
Sources: caps-a-holic (opens in a new tab)
Arrow 4K Blu-ray in November
> US Shout! Factory - caps
The 5.1 track sounds very good and is said to be sourced from the original 6-track mix used for 70mm blow-up releases, but there is no conclusive proof of that.
Directors: Phil Lord & Christopher Miller
Amazon MGM 4K Blu-ray SteelBook with mixed aspect ratio 1.43:1/2.39:1
Director: Billy Wilder
> Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
But still a bit overly noise-managed.
1984 CBS/Fox Hi-Fi VHS maybe better?
More Horror on Blu-ray
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
Director: Lewis Teague
Video format: UHD Blu-ray
Kino Lorber 4K Blu-ray disappointing
R1 DVD
R1 DVD sounds best and has the original mono and a Dolby Stereo remix
Director: Guillermo del Toro
WB 4K Blu-ray teased by Guillermo Del Toro
CA Alliance Blu-ray or dutch Blu-ray are the same masters but have additional sharpening.
The original DVD has an isolated score and a exclusive easter egg
Director: Roman Polanski
> Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: David Lynch
Sources: Reddit (opens in a new tab) · dvdexotica.com (opens in a new tab)
Criterion 4k resto, but it was AI upscaled although supervised and approved by Lynch https://www.reddit.com/r/davidlynch/comments/12klbw9/inland_empire_and_ai_upscaling/
See another detailed review: https://www.dvdexotica.com/2015/05/lets-get-serious-about-inland-empire.html
Director: John Carpenter
Sources: blog.sporv.com (opens in a new tab)
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: Frank Oz
Theatrical Cut: Warner Bros 4K Blu-ray
Director's Cut: Warner Bros Blu-ray
The 4K Blu-ray has both a poor Dolby Atmos remix and the original theatrical Dolby Stereo mix in its best fidelity but only for the Theatrical Cut.
The Blu-ray has a 5.1 remix for the Director's Cut that, while inferior to the original theatrical Dolby Stereo mix, is still far superior to the Dolby Atmos remix on the 4K Blu-ray, and is the best option for the Director's Cut.
Only the DVD has the isolated score.
Director: Julia Ducournau
Video format: UHD Blu-ray
Curzon 4K
HDR helps considerably with the deliberately murky aesthetic. VDMS encode is overall very good despite chroma noise in flashback sequences.
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