The Passenger (1975)
Professione: reporter
Drama, Mystery, Thriller • 2h 6m
Overview
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Criterion=StudioCanal, same HD resto
Director: Michelangelo Antonioni
Criterion=StudioCanal, same HD resto
Director: Michelangelo Antonioni
2022 Lobster Films has a newer 2020 4K restoration, their encoding is often bad, but no caps to verify yet. Criterion is older 4k restoration
Director: Michelangelo Antonioni
2022 Lobster Films has a newer 2020 4K restoration, their encoding is often bad, but no caps to verify yet. Criterion is older 4k restoration
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Directors: Frank Oz & Jim Henson
Directors: Frank Oz & Jim Henson
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Jim Henson
Shout! Factory replacement 4K Blu-ray
Shout! Factory replacement 4K Blu-ray, Shout! Factory doesn't have the low-pass filter that's on the Sony US 4K Blu-ray from 2021 with Dolby Vision (or the worse HDR10 only release from 2016). Shout! Factory retains more high-frequency grain and detail.
Embassy Home Entertainment JPN LaserDisc or 1999 Sony US DVD 2.0
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Will Gluck
Director: Will Gluck
Director: George Sidney
Director: George Sidney
Director: Jack White
Director: Jack White
Director: Will Gluck
Sony 4K Blu-ray see comparison
The 4K Blu-ray is low-passed, Sony Pictures Core Streaming is heavily DNR
Director: Will Gluck
Sony 4K Blu-ray see comparison
The 4K Blu-ray is low-passed, Sony Pictures Core Streaming is heavily DNR
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
More Drama on Blu-ray
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Joe Wright
Director: Joe Wright
Director: Rob Reiner
Director: Rob Reiner
Director: Noah Baumbach
Director: Noah Baumbach
Director: Vincente Minnelli
Director: Vincente Minnelli
Edit History
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