Blown Away (1994)
Action • 2h 1m
Overview
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
Director: Stephen Hopkins
Cast: Jeff Bridges, Tommy Lee Jones, Suzy Amis, Lloyd Bridges, Forest Whitaker, Stephi Lineburg, John Finn, Caitlin Clarke, Christofer de Oni, Loyd Catlett, Ruben Santiago-Hudson, Lucinda Weist, Cuba Gooding Jr., Mike Starr, Brendan Burns, Tricia Heine, Josh McLaglen, Robert 'Bobby Z' Zajonc, Alan D. Purwin, David B. Nowell, Dee Nelson, Ed O'Keefe, Craig Richard Nelson, David U. Hodges, Ken Kerman, Judd Daniel King, Chris O'Neill, Whitney Cline, Michael Macklin, Sara Edwards, Evelyn Lee-Jones, Mark Berry, Faleena Hopkins, Michael J. Reynolds, Larry Reynolds, Terry O'Shea, George Landers, John Farrell
Director: Jean Vigo
Director: Jean Vigo
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Directors: Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Otakar Vávra
Deaf Crocodile 4K Blu-ray see nic review
Restored: Deaf Crocodile 4K Blu-ray
Unrestored: Czech PAL DVD
Preferences will vary, the restored track sounds good, but not necessarily faithful to the original elements.
Director: Robert Rossen
Director: Robert Rossen
Director: Anthony Mann
Director: Anthony Mann
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Basil Dearden
Indicator 4K Blu-ray. Excellent 4K master and encode, except for opticals grain is very fine, grading is beautifully silvery and luminous, nice HDR re-grade by Fidelity in Motion
Director: Jacques Becker
Director: Jacques Becker
Director: Stephen Hopkins
Director: Stephen Hopkins
WB 4K Blu-Ray
WB 4K Blu-Ray
WB 4K Blu-Ray
WB 4K Blu-Ray
Director: Stephen Hopkins
Director: Stephen Hopkins
Director: Stephen Hopkins
Director: Stephen Hopkins
Director: Rob Reiner
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK /Capelight DE 4K Blu-ray > Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
Kino Lorber Philo Vance Collection Blu-ray
Kino Lorber Philo Vance Collection Blu-ray
Kino Lorber Philo Vance Collection Blu-ray
Kino Lorber Philo Vance Collection Blu-ray
Director: Arthur Dong
Director: Arthur Dong
Director: Arthur Dong
Director: Arthur Dong
Director: Lou Breslow
Kino Lorber Blu-ray 2K restoration
Director: Lou Breslow
Kino Lorber Blu-ray 2K restoration
Director: Howard Hughes
Kino Lorber Blu-ray 2K restoration
Director: Howard Hughes
Kino Lorber Blu-ray 2K restoration
Director: Stuart Heisler
Kino Lorber Blu-ray 2K restoration
Director: Stuart Heisler
Kino Lorber Blu-ray 2K restoration
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