Joe Spinell
13 films on Best Blurays8 in 4K4 in HD1 with no official release

Biography from TMDB
8 in 4K
UHD Blu-ray or 4K streaming
Supporting role · Director: William Friedkin
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Plaion have also released a BD sourced from Arrow's recent 4K remaster, holds up strongly in comparison https://caps-a-holic.com/c.php?d1=19341&d2=19005&c=5415
Supporting role · Director: John G. Avildsen
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc > Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error.
The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.
Supporting role · Director: Sylvester Stallone
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Knockout Collection release had its 5.1 mix pitched too low, replacement disc and Ultimate Knockout Collection fixed the error.
The Steelbook and UK standard edition are the same disc as the 2023 knockout collection.
Supporting role · Director: William Friedkin
Sources: Criterion Forum (opens in a new tab)
See Chris's review
Small role · Director: Jonathan Demme
Sources: vitalpassenger.com (opens in a new tab)
FiM are mistakenly credited, one of the four known instances of this for a Cinématographe title (the other three being Thieves Like Us, Who Killed Teddy Bear?, and The Gambler). 4K encode was done by Vital Passenger. https://vitalpassenger.com/our-work
Small role · Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
4 in HD
Blu-ray or HD streaming
Small role · Director: Francis Ford Coppola
Sources: YouTube (opens in a new tab)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Small role · Director: Francis Ford Coppola
Sources: YouTube (opens in a new tab)
2008 Blu-ray lossy mono
(Britain release only has 5.1)
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
1 with no official release
Unofficial sources only, no home media, or lost
The original 1977 censored cut has never been officially released on home video. The 1981 cut and the 1990 EU cut are available on VHS. The 1992 Trilogy cut was released on LaserDisc and VHS. The 2012 and 2016 HD versions were broadcast on AMC and streaming HBO respectively but neither are available on either platform anymore currently. The Chinese 1080p blu-ray on the high seas is probably the most accessible and affordable way to watch it, (albeit with terrible compression) and appears to be a Webrip of the 2012 AMC HD tv broadcast. It’s on two BD-25 discs with lossy Dolby Digital 5.1 audio and with subtitles for Sicilian dialogue.
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