Oliver Cross

Although there are reviews that called it disappointing. It is also regarded as a vast improvement over all previous versions by many others as well.

This is a problematic release, because while scenes like the aerial shots at the beginning looked pristine and shows new detail, many others are suspiciously identical across all three Blu-ray releases (the 2012, 2020 and this 2024).

Some defects on this are unfixed from the 2020 Blu-ray for some reason. (See this review and its discussion.)

The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons

All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.

MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.

The Criterion Complete Kubrick and Imprint 1953-1957 sets include remastered BDs. All standalone releases are from an earlier master.
Arrow UK Blu-ray has an exclusive isolated score & effects track. Kino Lorber and Imprint have an exclusive commentary each.