The Crying Game (1992)
Crime, Drama, Thriller • 1h 52m
Overview
Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
Director: Neil Jordan
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Gordon Douglas
Shout! Factory 4K Blu-ray see caps
SF is in 1.66 aspect ratio. Whether this is the intended ratio or a compromise isn't clear.
American Film Institute's catalog and Variety's contemporary review list it as 1.66, but other sources disagree.
Exhibitor's contemporary review lists it as 1.85, IMDB and an internal pre-production note from Warner Bros. list it as 1.75.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Director: Joel Schumacher
US/UK Arrow 4K Blu-ray has both the original Dolby Stereo 2.0 mix in its best quailty and the original Dolby Stereo 4-track discrete stems in 4.0.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
70mm 6-Track: Paramount US 4K Blu-ray
35mm matrixed Dolby Stereo: 1995 Live Home Video US LaserDisc
Although the provenance of Paramount's 5.1 track is not confirmed, the fidelity is outstanding and speaks for itself.
The 7.1 track on the Capelight/old Lionsgate release is just an upmix with nothing gained over the 5.1.
The original stereo mix is only present on older DVDs and LaserDiscs; all Blu-ray 2.0 tracks are downmixes.
Paramount 4K Blu-ray has no extras, Capelight 4K Blu-ray has most of the extras, Olive Films Blu-ray has a exclusive commentary
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Arthur Penn
Criterion 4K Blu-ray. caps by BR user Donald McDonald. The encode looks absolutely spotless even in the highlights and without Dolby Vision filling anything in.
Criterion 4K Blu-ray/Blu-ray
Criterion is entirely unfiltered and sounds significantly more detailed than previous tracks, see Blah-ray.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: Mario Bava
Original Italian/English dubs: UK Masters of Cinema 4K Blu-ray
Export English dub: Paramount LaserDisc
MoC ported the export dub from LaserDisc, but used a low quality transfer, with poor lossy encoding.
MST3K version: Vol XXXIX DVD / episode 1013: series finale of the original show.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Director: John Waters
Criterion 4K is in director's preferred aspect ratio of 1.66:1.
Warner Bros 4K Blu-ray Sept. 2026
Warner Bros 4K Blu-ray Sept. 2026
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Neil Jordan
Director: Neil Jordan
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: David Lynch
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Australia Imprint Blu-ray upcoming included in After Dark Neo-Noir Cinema Vol. 4
2026 Criterion 4K Blu-ray
Censored US version: Shout! Factory or Twilight Time Blu-ray
Uncensored version: old DVD
Director: Philip Kaufman
Director: Philip Kaufman
Directors: Chris Appelhans & Maggie Kang
Currently streaming on Netflix
2026 Criterion 4K Blu-ray
Currently streaming on Netflix
Directors: Chris Appelhans & Maggie Kang
Currently streaming on Netflix
2026 Criterion 4K Blu-ray
Currently streaming on Netflix
Director: Hal Ashby
Director: Hal Ashby
Artificial Eye UK Blu-ray? Supposed to have better translation than Criterion.
Curzon 4K Blu-ray scheduled for October 2026 release
Artificial Eye UK Blu-ray? Supposed to have better translation than Criterion.
Curzon 4K Blu-ray scheduled for October 2026 release
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
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