The Crying Game (1992)
Crime, Drama, Thriller • 1h 52m
Overview
Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
Director: Neil Jordan
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Neil Jordan
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Neil Jordan
Director: Neil Jordan
Director: John Waters
Director: John Waters
Director: John Waters
Director: John Waters
Director: David Lynch
Criterion 4K Blu-ray in July
Criterion 4K Blu-ray has a confirmed Lynch-approved SDR presentation
The 2020 StudioCanal UK 4K Blu-ray has DV/HDR but is not confirmed to be supervised by Lynch and people mostly find it less preferable to Criterion's SDR. It also misses a fade that Criterion is able to fix
See caps for comparison
Director: David Lynch
Criterion 4K Blu-ray in July
Criterion 4K Blu-ray has a confirmed Lynch-approved SDR presentation
The 2020 StudioCanal UK 4K Blu-ray has DV/HDR but is not confirmed to be supervised by Lynch and people mostly find it less preferable to Criterion's SDR. It also misses a fade that Criterion is able to fix
See caps for comparison
Criterion 4K Blu-ray see caps
Criterion 4K Blu-ray see caps
Director: Sidney Lumet
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
Director: Sidney Lumet
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
Director: Alfred Hitchcock
Director: Alfred Hitchcock
More Crime on Blu-ray
Germany Capelight 4K Blu-ray > Arrow 4K Blu-ray > Kino Lorber Blu-ray, by encoding quality see caps
Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow ported the LD track) see spectrogram
Germany Capelight 4K Blu-ray > Arrow 4K Blu-ray > Kino Lorber Blu-ray, by encoding quality see caps
Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow ported the LD track) see spectrogram
Director: Iain Softley
Capelight Germany 4K Blu-ray. Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Director: Iain Softley
Capelight Germany 4K Blu-ray. Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn include an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook Edition 4K Blu-ray> Sony 2019 Standard Edition 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
Director: Rob Reiner
Sony 2023 Steelbook 4K Blu-ray
Sony 2023 Steelbook Edition 4K Blu-ray> Sony 2019 Standard Edition 4K Blu-ray
Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
This disc defaults to a lossless 5.1 remix, however in the setup menu, the original mono mix is included as a lossy alternative for the first time since the dawn of home video. The film was given a stereo remix very early on and remained stuck that way for decades.
Director: Elia Kazan
Director: Elia Kazan
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Joel Schumacher
Dolby Stereo SR: WB LaserDisc (best audio mix of the film)
Dolby 5.1: WB LaserDisc AC3, WB DVD
2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD
4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.
Director: Claude Sautet
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
Director: Claude Sautet
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new 4K restoration. They have close quality, but Criterion has thiner and less blocky grain, with better retention in dark areas. It was therefore preferred.
Criterion 4K Blu-ray: Criterion and Coin de Mire are both based on the same new transfer which is superior to the old master. But, again, the audio of Criterion has much higher dynamic range than that of Coin de Mire and was preferred.
Director: John Woo
2026 Arrow 4K Blu-ray (part of a trilogy box set)
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
Director: John Woo
2026 Arrow 4K Blu-ray (part of a trilogy box set)
Shout! Factory 4K Blu-ray > Disk Kino/WCL China import
review: Disk Kino
Shout! Factory 4K Blu-ray has the original mono
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