Two Girls on Broadway (1940)
Romance • 1h 13m
Director: S. Sylvan Simon
Cast: Lana Turner, Joan Blondell, George Murphy, Kent Taylor, Richard Lane, Wallace Ford, Otto Yamaoka, Lloyd Corrigan, Don Wilson, Charles Wagenheim, Jessie Arnold, Vangie Beilby, Eddie Borden, Hillary Brooke, Daisy Bufford, Ora May Carlson, Howard Chase, Heinie Conklin, Jimmy Conlin, Maxine Conrad, Adrienne D'Ambricourt, John Daheim, Hal K. Dawson, John Dawson, Joe Devlin, Lester Dorr, Dick Elliott, Billy Engle, Jack Gardner, Edward Gargan, Edward Hearn, J. Anthony Hughes, Harry Lash, David Lloyd, George Lollier, May McAvoy, Tom McGuire, Charles R. Moore, Bert Moorhouse, Lee Murray, Arthur O'Connell, David Oliver, Edward Peil Sr., Eddie Phillips, Fred Rapport, Cyril Ring, Herb Vigran, Carole Wayne, Wanda Perry
About the film
Eddie Kerns sells his song to a Broadway producer and also lands a job dancing in the musical. He sends for his dance partner-fiancée Molly Mahoney who brings her younger sister Pat. Upon seeing Molly and Pat dance, the producer picks Pat for the show and gives Molly a job selling cigarettes. A wealthy friend of the producer named "Chat" Chatsworth also has his eye on Pat. Pat is teamed with Eddie in the specialty number as Kerns and Mahoney. Pat and Eddie soon realize that they are in love and must tell Molly. Pat balks at hurting Molly and goes out with Chat who already has five ex-wives. Remake of The Broadway Melody (1929).
4K restoration of the original 3D left eye and right eye camera negatives
4K restoration from safety preservation elements
More Romance on Blu-ray
Shout! Factory's Blu-ray has both cuts of the film in addition to the 3.0 stereo and 2.0 mono mixes making it the first time the full theatrical cut is available with the 3.0 mix. The new commentary is good. The 3.0 stereo sounds wonderful and the mono sounds solid.
That's where the positives end. This is the same terrible Universal DVD master slapped on a Blu-ray disc with a terrible encode making both versions share the disc separately taking up more space. This master was already poor for DVD and is nearly unwatchable here on the Shout! Factory disc. It looks virtually identical to the upscaled DVD most of the time with only a bit less noise due to it being 1080p. This is one of the most appalling cases of "DVD master slapped on a Blu-ray disc" you can possibly find. Absolutely shameful video presentation. This should have never been released this way. Sadly it's still ever so slightly better than the DVD and the only way you get the proper theatrical cut with lossless 3.0 stereo. This is still the best source we have for the film.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible. However, Artificial Eye also includes the 2.0 stereo mix in addition to the 5.1 mix, while Kino only includes 5.1 mix.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Elaine May
Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:
The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.
Cinématographe has unnecessary noise gating not present on the previous releases.
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Flicker Alley 4K confirmed for 2027 https://forum.blu-ray.com/showpost.php?p=24404584&postcount=1
MoC audio is better https://forum.blu-ray.com/showthread.php?t=225532&page=3
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