The Amazing Dr. Clitterhouse (1938)
Crime, Drama • 1h 27m
Overview
A wealthy society doctor decides to research the medical aspects of criminal behaviour by becoming one himself. He joins a gang of thieves and proceeds to wrest leadership of the gang away from its extremely resentful leader.
Director: Anatole Litvak
Cast: Edward G. Robinson, Claire Trevor, Humphrey Bogart, Allen Jenkins, Donald Crisp, Gale Page, Henry O'Neill, John Litel, Thurston Hall, Ward Bond, Ronald Reagan, Mary Field, Maxie Rosenbloom, Vladimir Sokoloff, Bert Hanlon, Curt Bois, Billy Wayne, Robert Homans, Irving Bacon, John Alban, Frank Anthony, Wade Boteler, Sidney Bracey, John Breen, Georgia Caine, Romaine Callender, Glen Cavender, Loia Cheaney, Bud Cokes, Hal Craig, Ray Dawe, Hal K. Dawson, Earl Dwire, Frank Fanning, J.C. Fowler, Edward Gargan, William Haade, Winifred Harris, John Harron, Thomas E. Jackson, Mike Lally, Vera Lewis, Al Lloyd, Bruce Mitchell, Edmund Mortimer, Jack Mower, Bob Reeves, Frank Reicher, Ky Robinson, Ruth Robinson, Eric Stanley, Larry Steers, Amzie Strickland, Libby Taylor, Arthur Thalasso, Monte Vandergrift, Joyce Williams, Lawrence A. Williams, William Worthington
Director: Anatole Litvak
Director: Anatole Litvak
Directors: Frank Capra & Anatole Litvak
Directors: Frank Capra & Anatole Litvak
Director: Anatole Litvak
Director: Anatole Litvak
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
US Periscope Blu-ray OOP https://www.blu-ray.com/movies/Why-We-Fight-Blu-ray/87823/
Otherwise there are DVDs
More Crime on Blu-ray
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Director: John Woo
UK Arrow 4K Blu-ray > US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Arrow 4K Blu-ray, mono is from an alternate higher fidelity source than Shout! Factory.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173
The master is heavily DNR'd.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Warner Bros/New Line Blu-ray
Warner Bros/New Line Blu-ray
Director: Joel Schumacher
Director: Joel Schumacher
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