Judgment at Nuremberg (1961)
Drama, History • 3h 11m
Director: Stanley Kramer
Cast: Spencer Tracy, Richard Widmark, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Judy Garland, Montgomery Clift, William Shatner, Werner Klemperer, Kenneth MacKenna, Torben Meyer, Joseph Bernard, Alan Baxter, Edward Binns, Virginia Christine, Otto Waldis, Karl Swenson, Martin Brandt, Ray Teal, John Wengraf, Ben Wright, Howard Caine, Olga Fabian, Paul Busch, Bernard Kates, Bess Flowers, Frank Baker, Brandon Beach, Joseph Crehan, Sayre Dearing, Sam Harris, Shep Houghton, Reed Howes, William Meader, Colin Kenny, George Nardelli, Waclaw Rekwart, Jack Stoney, Oscar Beregi Jr., Norbert Schiller, Chet Brandenburg, Herman Hack, Sheila Bromley, Harold Miller, Hans Moebus, Ed Nelson, William H. O'Brien, Rudy Solari, Bert Stevens, Hal Taggart, Jana Taylor, Ralph Moratz, Tony Regan, Dick Cherney, Norman Stevans, Raoul Freeman
Best English-friendly & video release · updated 4 months ago
UK BFI Blu-ray is very similar to Germany Capelight Blu-ray but Capelight is slightly more sharpened see caps
Both Kino Lorber and Twilight Time OOP Blu-ray suffer from Quicktime Gamma Bug see caps
Overview
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming on October 20th with FiM encode
DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
Director: Stanley Kubrick
Criterion Box Set coming October 20th with FiM encode, new restoration of mono mix which should be better than what was on the WB 4K Blu-ray and 1999 DVD and revised colour timing to make the film look more like it did in 1971.
WB 4K 5.1: a remix but has higher fidelity
Mono: 4K Blu-ray/1999 DVD
Director: Stanley Kramer
Sources: caps-a-holic (opens in a new tab)
> Kino Lorber > Twilight Time. Kino Lorber has slightly worse encoding than MoC, see caps, and Twilight Time is over-exposed
Director: Ingmar Bergman
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Jean-Luc Godard
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Ingmar Bergman
Video format: 4K Streaming
Sources: YouTube (opens in a new tab) · Blu-ray.com (opens in a new tab)
Film Masters youtube (raw scan)
Director: Dennis Hopper
Sources: Criterion Forum (opens in a new tab)
BFI Blu-ray renders grain structure better than Severin 4K Blu-ray’s disappointing encode, although Severin does feature an HDR grading with Dolby Vision. Furthermore, Severin’s soundtrack is worse due to the noise reduction applied.
Severin 4K Blu-ray has very good extras that are more relevant to the film
Director: Jan Švankmajer
Directors: Cecil M. Hepworth & Percy Stow
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