The Man from Nowhere (2010)
아저씨
Action, Thriller, Crime • 1h 59m
Overview
A reclusive pawnshop owner goes on a brutal rampage to rescue a young girl kidnapped by a criminal organization.
Director: Lee Jeong-beom
Cast: Won Bin, Kim Sae-ron, Kim Tae-hun, Kim Hie-won, Kim Seung-o, Lee Jong-pil, Thanayong Wongtrakul, Kim Hyo-seo, Song Young-chang, Baek Su-ryeon, Nam Kyung-eup, Jeong Do-won, Kwak Do-won, Jo Hyun-wu, Son Sang-kyung, Lee Jae-won, Hwang Min-Ho, Han Chul-woo, Kwon Seong-deok, Jo Jae-yun, Jeong Min-sung, Sun Ho-jin, Kim Hyo-min, Jang Jun-nyeong, Lee Moon-ho, Park Seong-taek, Lee Sang-hong, Lee Jeong-min, Son Gi-hong, Ryu Ui-hyun, Yoo Yeon-mi, Hong So-hee, Dae-i, Jo Yong-hyun, Yoo Chae-mok, Seo Min-kyeong, Kim Ho-yeon, Lee Tae-kyeong, Kim Young-ah, Yang Jong-hyeon, Kim Si-kwon, Byeon Ah-ro, Han Sa-myeong, Kim Sang-geun, Lee Sang-gu, Seo Ji-young, Park Chang-mi, Cha Joo-han, Kim Do-hyeong, Kim Ah-reum, Joo Jae-hyeong, Park Se-ah, Jang Min-joo, Lee Ha-eun, Kim Yoon-kyeong, Jang Joon-ho, Hwang Jae-soon, Park Joon-woo, Baek Hyeon-ik, Jung Kyung-ho, Kwon Yong-hwan, Seo Wang-suk, Jeong Sang-soo, Lee Sang-ha, Kim Won-jin, Hong Ee-jeong, Seo Chong-ju, Kim Cheol-joon, Song Yong-ho, Chamy, Kim Chul-moo, Yoo Yeong-wook, Yoo Yong-ok, Jang Se-joon, Im Hyo-woo, Park Byeong-ryeol, Choi Dong-heon, Lee Sang-hyun, Choi Kwang-rak, Kim Dong-hyeon, Ryoo Sung-hoon, Yang Hyeon-tae, Park Hye-ri, Cho A-young, Joo Yeong-min, Jo Myeong-haeng, Yoo Yang-rae, Lee Geon-moon, Bae Yeong-han, Gong Byeong-cheol, Jeong Seung-gyoon, Kim Yong-woon, Seol Woo-sin, No Seung-woo, Bae Ji-hoon, Park Ho-jin, Kang Jin-yeong, Kim Yeong-geun, Ki Se-hyung, Lee Gyeong-heon, Oh Jeong-sik, Choi Ji-won, Gong Soo-min, Park Min-chan, Lee Da-bin, Wonjin, Min So-yeon, Lee Jae-min, Choi Hyeon-ah, Lee Do-gyeom, Choi Seo-yeong, Kim Ji-min, Park Seong-taek, Hyeon Seok-joon, Lee Ji-hwan, Kim Chang-min, Kim Byeol, Sin Dong-min, Kim Joon-yeong, Hong Seok-joon, Moon Soo-hwan, Hwang Yeon-hee, Seong Min-ji, Bae Sang-hyeon, Jeon Soo-yeon, Hong Seung-min, Wi Ji-Woong, Richard Kim
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Richard Stanley
AU Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression.
Director's Cut uses a proper transfer but suffers from terrible compression, even by Kino standards.
The Umbrella with its FiM encode looks blurrier due to a slight low-pass filter, but is still far better than Kino.
AU Umbrella 4K Blu-ray and US Kino Lorber 4K Blu-ray are the same.
The 5.1 track is a direct port of the lossy NTSC DVD track.
Director: Richard Stanley
AU Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression.
Director's Cut uses a proper transfer but suffers from terrible compression, even by Kino standards.
The Umbrella with its FiM encode looks blurrier due to a slight low-pass filter, but is still far better than Kino.
AU Umbrella 4K Blu-ray and US Kino Lorber 4K Blu-ray are the same.
The 5.1 track is a direct port of the lossy NTSC DVD track.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 2001 MGM DVD for a purist version with original colors and the international mono mix
2013 MGM Blu-ray for non AI transfer, 2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: James Cameron
Resen 2020 Spain Blu-ray, old WEB-DL (pre 2023/2024 transfer), HDTV rip, or 35mm scan
Resen 2020 Spain Blu-ray, old WEB-DL (pre 2023/2024 transfer), HDTV rip, or 35mm scan better than 4K Blu-ray with terrible "AI" upscale: screenshots
Director: James Cameron
Resen 2020 Spain Blu-ray, old WEB-DL (pre 2023/2024 transfer), HDTV rip, or 35mm scan
Resen 2020 Spain Blu-ray, old WEB-DL (pre 2023/2024 transfer), HDTV rip, or 35mm scan better than 4K Blu-ray with terrible "AI" upscale: screenshots
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: Jack Sholder
Director: Jack Sholder
Director: Alan Shapiro
US Shout! Factory Blu-ray
Avoid the Germany Hanselab 4K Blu-ray, as it's riddled with oversaturated colors, poor encoding, AI upscaling, and DNR. The included Blu-ray is also DNRed.
Director: Alan Shapiro
US Shout! Factory Blu-ray
Avoid the Germany Hanselab 4K Blu-ray, as it's riddled with oversaturated colors, poor encoding, AI upscaling, and DNR. The included Blu-ray is also DNRed.
Director: Jeremiah S. Chechik
Director: Jeremiah S. Chechik
Shout! Factory 4K Blu-ray > BFI 4K Blu-ray, see caps https://slow.pics/c/nPcxCNW4
Some find BFI better but with more DNR and AI upscaling like their horrible 1979 Nosferatu 4K Blu-ray, and Shout! Factory has more over-exposed grading https://slow.pics/c/WQKmBTLJ
2000 R2 Stonevision DVD vs Shout! Factory 4K Blu-ray?
Shout! Factory 4K Blu-ray > BFI 4K Blu-ray, see caps https://slow.pics/c/nPcxCNW4
Some find BFI better but with more DNR and AI upscaling like their horrible 1979 Nosferatu 4K Blu-ray, and Shout! Factory has more over-exposed grading https://slow.pics/c/WQKmBTLJ
2000 R2 Stonevision DVD vs Shout! Factory 4K Blu-ray?
More Action on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: John Woo
Director: John Woo
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: John Woo
Director: John Woo
Edit History
3/28/2026
Format
Added
UHD Blu-ray
Added
UHD Blu-ray
Best English-Friendly Release
Best Video Release
Added
Well Go Blu-ray or any of the international Blu-rays? > 4K Blu-ray, 4K is AI upscaled
Added
Well Go Blu-ray or any of the international Blu-rays? > 4K Blu-ray, 4K is AI upscaled
