A Trip to the Moon (1902)
Le Voyage dans la Lune
Adventure, Science Fiction • 14m
Overview
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Director: Georges Méliès
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John Woo
Director: John Woo
Director: Richard Fleischer
Arrow 4K Blu-ray > StudioCanal 4K Blu-ray has solid encode but controversial colors by Hiventy
Director: Richard Fleischer
Arrow 4K Blu-ray > StudioCanal 4K Blu-ray has solid encode but controversial colors by Hiventy
Director: Ted Kotcheff
Arrow 4K Blu-ray in June
Umbrella 4K Blu-ray (FiM encode but the mastering shows signs of DNR albeit only momentarily); all other BDs pretty bad.
Umbrella 4K Blu-ray, but whether in the correct speed/pitch is TBC.
Director: Ted Kotcheff
Arrow 4K Blu-ray in June
Umbrella 4K Blu-ray (FiM encode but the mastering shows signs of DNR albeit only momentarily); all other BDs pretty bad.
Umbrella 4K Blu-ray, but whether in the correct speed/pitch is TBC.
Director: Brian De Palma
Director: Brian De Palma
Arrow 4K Blu-ray see caps
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Original: Arrow 4K Blu-ray vs New Line LaserDisc
Arrow 4K Blu-ray see caps
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Original: Arrow 4K Blu-ray vs New Line LaserDisc
Arrow 4K Blu-ray see caps
Dolby Stereo: Arrow 4K Blu-ray or New Line LaserDisc for line absent on VHS, DVD, and Blu-ray releases
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Arrow 4K Blu-ray see caps
Dolby Stereo: Arrow 4K Blu-ray or New Line LaserDisc for line absent on VHS, DVD, and Blu-ray releases
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Director: John Frankenheimer
Director: John Frankenheimer
Director: Sergio Corbucci
Director: Sergio Corbucci
Director: Fritz Kiersch
Director: Fritz Kiersch
More Adventure on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players
2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: James Cameron
Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time
Old WEB-DL or HDTV rip for non AI version
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ted Kotcheff
Lionsgate 4K Blu-ray (2026 Rambo set)
Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2
Lionsgate 4K Blu-ray (2026 Rambo set)
The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.
The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Directors: Jules Bass & Arthur Rankin, Jr.
Directors: Jules Bass & Arthur Rankin, Jr.
Edit History
9/10/2025
Best Video Release
From
Either Flicker Alley or Arrow BD.
Unsure whether the "new" restoration is more on the restoring of the lost films, or whether they actually restored A Trip to the Moon. Regardless, there's no more news after the announcement.
To
Either Flicker Alley or Arrow BD.
(Unsure whether the "new" restoration is more on the restoring other lost films or actually A Trip to the Moon. Regardless, there's no more news after the announcement.)
From
Either Flicker Alley or Arrow BD.
Unsure whether the "new" restoration is more on the restoring of the lost films, or whether they actually restored A Trip to the Moon. Regardless, there's no more news after the announcement.
To
Either Flicker Alley or Arrow BD.
(Unsure whether the "new" restoration is more on the restoring other lost films or actually A Trip to the Moon. Regardless, there's no more news after the announcement.)
9/9/2025
Format
From
No Home Media
To
1080p Blu-ray
From
No Home Media
To
1080p Blu-ray
Best English-Friendly Release
From
Flicker Alley vs Arrow? Or wait for new restoration
To
From
Flicker Alley vs Arrow? Or wait for new restoration
To
Best Video Release
From
To
Either Flicker Alley or Arrow Blu-ray.
(Unsure whether the "new" restoration is more on the restoring other lost films or actually A Trip to the Moon. Regardless, there's no more news after the announcement.)
From
To
Either Flicker Alley or Arrow Blu-ray.
(Unsure whether the "new" restoration is more on the restoring other lost films or actually A Trip to the Moon. Regardless, there's no more news after the announcement.)
12/12/2024
Best Video Release
From
New resto no discs yet https://www.animationmagazine.net/2020/01/ves-sponsors-intl-georges-melies-restoration-project/
To
From
New resto no discs yet https://www.animationmagazine.net/2020/01/ves-sponsors-intl-georges-melies-restoration-project/
To
