Now I'll Tell (1934)
Drama • 1h 22m
Overview
A two-bit gambler somehow claws his way to the top. His love for riches is only matched by his love for his wife, but he is sometimes confused by which he loves most.
Director: Edwin J. Burke
Cast: Spencer Tracy, Helen Twelvetrees, Alice Faye, Robert Gleckler, Henry O'Neill, Hobart Cavanaugh, G.P. Huntley, Shirley Temple, Ronnie Cosby, Ray Cooke, Frank Marlowe, Clarence Wilson, Barbara Weeks, Walter Armitage, Theodore Newton, Vince Barnett, James Donlan, Leon Ames, Alice Calhoun, Joseph Crehan, Irving Bacon
Director: Alfred E. Green
Director: Alfred E. Green
Directors: Louis J. Gasnier & Max Marcin
Directors: Louis J. Gasnier & Max Marcin
Director: Frank Tuttle
Director: Frank Tuttle
Director: Clarence Brown
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Clarence Brown
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Warner Archive Blu-ray 4K restoration from Original Camera Negative
Director: Clarence G. Badger
Director: Clarence G. Badger
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Frank O'Connor
Director: Frank O'Connor
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Roy William Neill
Director: Roy William Neill
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
More Drama on Blu-ray
Director: Andrzej Wajda
Director: Andrzej Wajda
Director: Rolf de Heer
Director: Rolf de Heer
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Vincent Ward
Director: Vincent Ward
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: John Ford
Director: John Ford
Edit History
12/1/2025
Format
Added
Only Unofficial Sources
Added
Only Unofficial Sources
Best Video Release
Added
Unofficial DVD
Added
Unofficial DVD
Additional Info
Added
UCLA has 35mm restored print, see MoMA
Added
UCLA has 35mm restored print, see MoMA
Blu-ray.com
Added
https://www.blu-ray.com/Now-Ill-Tell/195569/#Releases
Added
https://www.blu-ray.com/Now-Ill-Tell/195569/#Releases
