Red Hair (1928)
Comedy • 1h 10m
Overview
A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Only a small fragment of this film survives.
Director: Clarence G. Badger
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Frank O'Connor
Director: Frank O'Connor
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Roy William Neill
Director: Roy William Neill
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
Director: Nick Elliot
UCLA HD Streaming https://www.youtube.com/watch?v=ylnNsO9KFq4
UCLA HD Streaming https://www.youtube.com/watch?v=ylnNsO9KFq4
Director: Nick Elliot
UCLA HD Streaming https://www.youtube.com/watch?v=ylnNsO9KFq4
UCLA HD Streaming https://www.youtube.com/watch?v=ylnNsO9KFq4
More Comedy on Blu-ray
Undercrank Blu-ray new 2K restoration
Undercrank Blu-ray new 2K restoration
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Director: Billy Wilder
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
Directors: Gene Kelly & Stanley Donen
Directors: Gene Kelly & Stanley Donen
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Undercrank Blu-ray 4K scan of 35mm nitrate print
Undercrank Blu-ray 4K scan of 35mm nitrate print
Director: Fritz Lang
Director: Fritz Lang
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
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