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The Discreet Charm of the Bourgeoisie (1972)
The Discreet Charm of the Bourgeoisie (1972) poster
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4.0

The Discreet Charm of the Bourgeoisie (1972)

Le Charme discret de la bourgeoisie

Comedy • 1h 40m

Overview

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

Director: Luis Buñuel

Best English-Friendly Release

Best Video Release

StudioCanal has 4k, good encode, accuracy of the color grading is debatable vs Criterion

Format

UHD Blu-ray

UHD Tiers

Solid
Studio Canal:

good encode, accuracy of the color grading is debatable

TSPDT

2026: #172
2025: #176
2024: #172
2023: #178
2022: #178

Criterion Forum

Review

Picture: 6, Audio: 6, Extras: 6

Length

100 mins

Type

Movie

Last Updated

8 months ago

Contributors

Best English-Friendly Release
Best Video Release

StudioCanal has 4k, good encode, accuracy of the color grading is debatable vs Criterion

Format
UHD Blu-ray
UHD Tiers
Solid
Studio Canal:

good encode, accuracy of the color grading is debatable

TSPDT
2026: #172
2025: #176
2024: #172
2023: #178
2022: #178
Criterion Forum
Review

Picture: 6, Audio: 6, Extras: 6

Length
100 mins
Type
Movie
Last Updated
8 months ago
Contributors

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StudioCanal 50th Anniversary Blu-ray

Best Video:

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StudioCanal 50th Anniversary Blu-ray

Best Video:

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Best Video:

US VCI Blu-ray or UK Second Run Blu-ray share the same 4K restoration transfer and look essentially the same see caps

Best Audio:

2001 R2 Films Sans Frontières DVD

Best English-Friendly:

US VCI Blu-ray or UK Second Run Blu-ray

Best Video:

US VCI Blu-ray or UK Second Run Blu-ray share the same 4K restoration transfer and look essentially the same see caps

Best Audio:

2001 R2 Films Sans Frontières DVD

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Additional Info:

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Additional Info:

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Additional Info:

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Best Video:

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Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.

The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.

Caps: old master, old master vs 4K restoration

Wong Kar-Wai on the framing:

With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.

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1080p Blu-ray
Best English-Friendly:

2010 US Kino Lorber or 2012 UK Artificial Eye

Best Video:

2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.


Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.

The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.

Caps: old master, old master vs 4K restoration

Wong Kar-Wai on the framing:

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Best Video:

Criterion 4K Blu-ray > StudioCanal: Although Criterion is low-pass filtered, StudioCanal exhibits very clear and distracting macroblocking.

Best Audio:

TBD: UHDs sound muffled, but old YT clips sound clear. Need to look into DVDs and possibly VHS.

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UHD Blu-ray
Best English-Friendly:

Criterion 4K Blu-ray

Best Video:

Criterion 4K Blu-ray > StudioCanal: Although Criterion is low-pass filtered, StudioCanal exhibits very clear and distracting macroblocking.

Best Audio:

TBD: UHDs sound muffled, but old YT clips sound clear. Need to look into DVDs and possibly VHS.

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UHD Blu-ray
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Best Video:

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Best Audio:

2000 Optimum DVD

Additional Info:

Criterion's subtitles seem to be better than StudioCanal's which omits too much IMO.

Best English-Friendly:

Criterion 4K Blu-ray/2020 remastered StudioCanal Blu-ray (preference)

Best Video:

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Best Audio:

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Additional Info:

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Hummel: (line missing)
 
Lou Lindstrom: "Hello Frank. Lou Lindstrom"

Disney+:

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Lou Lindstrom: "Hello Frank. Lou Lindstrom"

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Upcoming Release:

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Best Video:

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Best Audio:

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Hummel: (line missing)
 
Lou Lindstrom: "Hello Frank. Lou Lindstrom"

Disney+:

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StudioCanal 4K Blu-ray is HDR

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SC has a missing fade that Criterion reinstated.

Best Audio:

Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc

Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

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The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.

Best English-Friendly:

Criterion or StudioCanal 4K Blu-ray

Best Video:

Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR

The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.

SC has a missing fade that Criterion reinstated.

Best Audio:

Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc

Restored stereo mix: Criterion / StudioCanal 4K Blu-ray

The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.

For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.

The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.

The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.

The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.

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UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray or Umbrella Australia 4K Blu-ray

Best Video:

Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173

The master is heavily DNR'd.

Best Audio:

Original 5.1 from Jokers France 4K Blu-ray or Criterion US Blu-ray or older Blu-rays

Best English-Friendly:

Criterion US Blu-ray or Umbrella Australia 4K Blu-ray

Best Video:

Maybe Umbrella Australia 4K Blu-ray (FiM encode), Plaion Germany 4K Blu-ray, or Pony Canyon Japan 4K Blu-ray. All other existing 4K Blu-rays have terrible compression: https://forum.blu-ray.com/showpost.php?p=21423337&postcount=173

The master is heavily DNR'd.

Best Audio:

Original 5.1 from Jokers France 4K Blu-ray or Criterion US Blu-ray or older Blu-rays

2046 poster
UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray

Best Video:

4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD

4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.

Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD

The remixed track has different front panning and little LFE use compared to the original.

HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

2046 poster
UHD Blu-ray
Best English-Friendly:

Criterion US Blu-ray

Best Video:

4K restoration: Koch Media DE 4K Blu-ray
Original digital master: Cannes 2006 Promo HD-DVD

4K remaster is cropped 2.35:1 from the original 2.55:1 presentation, and has significantly different color grading, as is the case with most WKW supervised restorations. Due to DNR the detail is sometimes lacklustre compared to the old master. CGI scenes appear to be rerendered. A sepia tinted scene was altered to be fully black and white.

Caps: Criterion US BD vs Cannes HD-DVD, HD-DVD vs KR BD vs DVDs vs US BD

Best Audio:

Remixed 5.1: The Jokers FR 4K Blu-ray
Original 5.1: Cannes 2006 Promo HD-DVD

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HD-DVD is by far the best option for the original track, as DVDs and Korean BD suffer from noise gating, limiting and duplicated surrounds. Remixed tracks are all similar, but French disc has slightly better dynamics, particularly on the LFE channel.

Additional Info:

The 2006 HD-DVD is a promotional release made in only 100 copies, handed out to VIPs at Cannes Film Festival. See this blog post for details. The same master can be found on KR BD, though it suffers from interlacing, blended frames and a gamma bug, as well as older DVD releases.

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Flicker Alley Blu-ray

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Additional Info:

2026 4K restoration at proper speed is available to watch on YouTube for free

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1080p Blu-ray
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Flicker Alley Blu-ray

Best Video:

Lobster Films DVD > Flicker Alley Blu-ray (Flicker Alley Blu-ray/DVD has every 25th PAL frame deleted)

Additional Info:

2026 4K restoration at proper speed is available to watch on YouTube for free

Babes in Toyland poster
1080p Blu-ray
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1950 Reissue Version: OOP 1980s US VHS

Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD

Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray

Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray

Best Video:

Original 1934 Theatrical Version: US Legend Films Blu-ray

1950 Reissue Version: OOP 1980s US VHS

Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD

Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray

Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray

Best English-Friendly:

Original 1934 Theatrical Version: US Legend Films Blu-ray

1950 Reissue Version: OOP 1980s US VHS

Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD

Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray

Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray

Best Video:

Original 1934 Theatrical Version: US Legend Films Blu-ray

1950 Reissue Version: OOP 1980s US VHS

Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD

Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray

Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray

Secretary poster
1080p Blu-ray
Best English-Friendly:

France Metropolitan or Australia Imprint Blu-ray?

Best Video:

France Metropolitan or Australia Imprint Blu-ray?

Best Audio:

US LionsgateFrance Metropolitan, and Germany Blu-ray have a 7.1 track, Australia Imprint has stereo only.

Secretary poster
1080p Blu-ray
Best English-Friendly:

France Metropolitan or Australia Imprint Blu-ray?

Best Video:

France Metropolitan or Australia Imprint Blu-ray?

Best Audio:

US LionsgateFrance Metropolitan, and Germany Blu-ray have a 7.1 track, Australia Imprint has stereo only.

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1080p Blu-ray
Best English-Friendly:

Imprint AU Blu-ray

Madadayo poster
1080p Blu-ray
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Imprint AU Blu-ray

The Bucket List poster
1080p Blu-ray
Best English-Friendly:

Warner Bros Blu-ray

Best Video:

Warner Bros Blu-ray

The Bucket List poster
1080p Blu-ray
Best English-Friendly:

Warner Bros Blu-ray

Best Video:

Warner Bros Blu-ray

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The Discreet Charm of the Bourgeoisie (1972) backdrop