Enemy at the Gates (2001)
War, History • 2h 11m
Overview
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
Director: Jean-Jacques Annaud
Cast: Jude Law, Joseph Fiennes, Rachel Weisz, Ed Harris, Bob Hoskins, Ron Perlman, Eva Mattes, Gabriel Thomson, Matthias Habich, Alexander Schwan, Lenn Kudrjawizki, Gennadi Vengerov, Dan van Husen, Ivan Shvedoff, Sophie Rois, Mario Bandi, Hans Martin Stier, Clemens Schick, Hendrik Arnst, Claudius Freyer, Dietmar Nieder, Bernd Lambrecht, Jim Dowdall, Maxim Kovalevski, Peter Silbereisen, Markus Majowski, Robert Stadlober, Gotthard Lange, Anna Böttcher, Holger Handtke, Marc Bischoff, Mark Zak, Thomas Petruo, Dmitri Alexandrov, David Pagel, Galina Dobberstein, Igor Rozinsky, Sergei Tokarev, Tom Wlaschiha, Marischka Schubarth, Natalya Bondar, Dana Cebulla, Piotr Papierz, Jarek Wozniak, Genia Makarov, Werner Daehn, Birol Ünel, Grigori Kofmann, Aleksei Nesterov, Vladimir Vilanov, Aleksei Volodin, Gennadi Tselbyansky, André Emanuel Kaminski, Michael Schenk, Jury Cooper, Manfred Witt, Arslan Kodirov, Axel Neumann, Morin Smole, Inna Samain, Keta Burowa, Toby Cockerell, Jürgen G.H. Hoppmann, Kay Hunsicker, Eddy Joseph, Martin Glyn Murray, Valentin Plătăreanu, Thomas Rösicke, Mikhail Matveev
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Director: Roman Polanski
Paramount disappointing 4K Blu-ray
Paramount disappointing 4K Blu-ray
Director: Roman Polanski
Paramount disappointing 4K Blu-ray
Paramount disappointing 4K Blu-ray
Director: William Wyler
Italy Plaion 4K Blu-ray > Paramount 4K Blu-ray (marginally)
Director: William Wyler
Italy Plaion 4K Blu-ray > Paramount 4K Blu-ray (marginally)
Director: Mark Osborne
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
Paramount France 3D Blu-ray has both 3D and 2D formats included, as well as both the original French audio with English subtitles and the English dub.
Director: Mark Osborne
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
2015 Paramount France 3D Blu-ray
Paramount France 3D Blu-ray has both 3D and 2D formats included, as well as both the original French audio with English subtitles and the English dub.
Director: Hal Ashby
Director: Hal Ashby
More War on Blu-ray
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Wolfgang Petersen
Arrow 4K Blu-ray Both cuts are excellent in 4K. See caps
Director's cut: 2007 WB Blu-ray; Arrow is a lossy transcode with dynamics compression.
2007 BD's AC-3 track with dynamic range compression enabled is nearly identical to Arrow's, see comparison
Theatrical cut is fine.
Director: Oliver Hirschbiegel
Canada Blu-ray or Netherlands Blu-ray?
better than Constantin Germany 4K Blu-ray and Australia Imprint 4K Blu-ray
Australia Imprint 4K Blu-ray's encode is awful.
Director: Oliver Hirschbiegel
Canada Blu-ray or Netherlands Blu-ray?
better than Constantin Germany 4K Blu-ray and Australia Imprint 4K Blu-ray
Australia Imprint 4K Blu-ray's encode is awful.
Director: Roberto Rossellini
Director: Roberto Rossellini
Director: Mick Jackson
Severin 4K Blu-ray see comparison but HDR is on the bright side
Director: Mick Jackson
Severin 4K Blu-ray see comparison but HDR is on the bright side
Director: John Ford
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: John Ford
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Warner Archive Blu-ray 4K restoration from original technicolor negatives
Director: Fred Zinnemann
Warner Archive Blu-ray 4K restoration
Director: Fred Zinnemann
Warner Archive Blu-ray 4K restoration
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
Director: Sam Wood
Probably Kino Lorber Blu-ray
Probably Kino Lorber Blu-ray
While no comparison is available, this is indeed a new 4K restoration. However it has its problem like not scanned from best surviving prints due to some issues, or technicolor out of alignment but seems to be still better than older releases
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