Tinker Tailor Soldier Spy (2011)
Drama, Thriller, Mystery • 2h 7m
Director: Tomas Alfredson
Cast: Gary Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, Benedict Cumberbatch, Ciarán Hinds, David Dencik, Kathy Burke, Stephen Graham, Simon McBurney, Svetlana Khodchenkova, Roger Lloyd Pack, Konstantin Khabenskiy, Christian McKay, Zoltán Mucsi, Péter Kálloy Molnár, Ilona Kassai, Imre Csuja, Arthur Nightingale, Amanda Fairbank-Hynes, Peter McNeil O'Connor, Matyelok Gibbs, Philip Hill-Pearson, Jamie Thomas King, Stuart Graham, Sarah-Jane Wright, Katrina Vasilieva, Linda Marlowe, William Haddock, Erskine Wylie, Philip Martin Brown, Tomasz Kowalski, Alexandra Salafranca, Dennis Good, Oleg Dzhabrailov, Gillian Stevenson, Nick Hopper, Laura Carmichael, Rupert Procter, John le Carré, Michael Sarne, Jean-Claude Jay, Tom Stuart, Harvey Walsh
Best English-friendly & video release · updated 1 year ago
> Kino Lorber US, more extras on the UK disc
UHD tiers
more extras on the UK disc
Overview
In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement to uncover a Soviet mole within his former colleagues at the heart of MI6.
Sources: caps-a-holic (opens in a new tab)
> UK > Netherlands Blu-ray, not sure about the rest https://caps-a-holic.com/c_list.php?c=1387
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Hayao Miyazaki
Video format: UHD Blu-ray
2026 Japan Studio Ghibli (remastered) Blu-ray
Only included as a pack-in with the 4K Blu-ray. Includes English subtitles and a dub, which the 4K Blu-ray does not.
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
4K Blu-ray includes the original 5.1 mix in its unaltered form, all other releases after the LaserDisc had its dynamic range lowered.
For the English dub, the UK StudioCanal Blu-ray is the least limited mix.
Director: Celine Song
Sources: Blu-ray.com (opens in a new tab)
UK StudioCanal Blu-ray is the better release. Plaion Italy 4K Blu-ray has macroblocking and chroma noise issues, and the US Lionsgate Blu-ray has elevated gamma levels and macroblocking https://forum.blu-ray.com/showpost.php?p=22310555&postcount=31
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
Director: David Lynch
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
2D: Spain Emon Blu-ray
3D: US Lionsgate, Germany StudioCanal, or Netherlands Entertainment One 3D Blu-ray?
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
More Drama on Blu-ray
Director: M. Night Shyamalan
BD LPCM 5.1
The DTS-HD on the UHD has been dynamically compressed, has had its center channel boosted, and surrounds lowered (typical modern nearfield mix for soundbars). Very different from the BD and DVD tracks. The BD LPCM is basically just a lossless version of the DTS and AC3 from the original DVD (the AC3 actually being the superior mix on that particular release).
Directors: Emeric Pressburger & Michael Powell
Imprint 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Lloyd Bacon
4K restoration from Original Camera Negative
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Ralph Bakshi
Director: Martin Scorsese
Other releases have horrendous DNR
Edit history
Every recommendation follows the same method — how these calls are made.