Kichijirō Ueda
6 Films
Kichijirō Ueda
6 Included Films

Kichijirō Ueda was a Japanese stage, film and television actor.


Director: Kenji Mizoguchi

Director: Kenji Mizoguchi

Director: Akira Kurosawa
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.

Director: Akira Kurosawa
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.

Director: Akira Kurosawa
BFI 4K Blu-ray for video or Criterion Blu-ray for subtitles
BFI 4K Blu-ray, see detailed review However Criterion has better subtitles
Old BFI Blu-ray > Criterion Blu-ray > BFI 4K Blu-ray > Toho Blu-ray See DonaldMcDonald's post

Director: Akira Kurosawa
BFI 4K Blu-ray for video or Criterion Blu-ray for subtitles
BFI 4K Blu-ray, see detailed review However Criterion has better subtitles
Old BFI Blu-ray > Criterion Blu-ray > BFI 4K Blu-ray > Toho Blu-ray See DonaldMcDonald's post

Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Toho Japan 4K Blu-ray's OG Perspecta & mono (filtered but still sounds better than unfiltered 2009 Toho Blu-ray).BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and stereo downmix of it; no original mono.
The way Perspecta works is it just changes volume and panning of the mono across L/C/R channels depending on embedded control tones, so realistically all mixes are just the mono, but it's still a big shame that we get a stereo (presumably a downmix of Prespecta...?) rather than than proper mono.

Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Toho Japan 4K Blu-ray's OG Perspecta & mono (filtered but still sounds better than unfiltered 2009 Toho Blu-ray).BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and stereo downmix of it; no original mono.
The way Perspecta works is it just changes volume and panning of the mono across L/C/R channels depending on embedded control tones, so realistically all mixes are just the mono, but it's still a big shame that we get a stereo (presumably a downmix of Prespecta...?) rather than than proper mono.

6 films