
Biography from TMDB
4 in 4K
UHD Blu-ray or 4K streaming
Supporting role · Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Supporting role · Director: Akira Kurosawa
BFI 4K Blu-ray for video or Criterion Blu-ray for subtitles
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
See detailed review However Criterion has better subtitles
Old BFI Blu-ray > Criterion Blu-ray > BFI 4K Blu-ray > Toho Blu-ray See DonaldMcDonald's post
Small role · Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
No clear winner, Criterion SDR 4K Blu-ray has better defined grain and is cleaned-up more thoroughly. But looks grayer and flatter in daytime scenes. BFI 4K Blu-ray's HDR/DV is better in contrast but the grading can be debatable.
Small role · Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
2 in HD
Blu-ray or HD streaming
Supporting role · Director: Akira Kurosawa
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