John Astin
5 Films
John Astin
5 Included Films
Dark haired, usually mustachioed US actor with a cheeky grin who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964). John Astin standing at a height of 5' 11" (1.8 m) was born March 30, 1930 (Aries), in Baltimore, MD as John Allen Astin to Allen V. Astin and Margaret Astin with a brother Alexander Astin. He is an American actor, voice actor and director. He attended Washington, Jefferson College and Johns Hopkins University where he studied mathematics. However he discovered a passion for the theater and began performing in minor plays and doing voice-over work for commercials. Married Suzanne Hahn on March 26, 1956, had 3 sons: David Aston (born 1953), Allen J. Astin (born March 23, 1961) and Thomas E. Astin (born March 19, 1965), then divorced June 14, 1972. He first got noticed in a small role in West Side Story (1961), then appeared in several other films, That Touch of Mink (1962), Move Over Darling (1963), before being cast as "Gomez Addams". While "The Addams Family (1964–1966)" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not particularly bright gunfighter in the western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976), reprising the role in the television film Halloween with the New Addams Family (1977) and dual roles in National Lampoon's European Vacation (1985), Teen Wolf Too (1987) and The Frighteners (1996). Married Patty Duke on August 5, 1972, had 2 sons: Mackenzie Astin (born May 12, 1973) and adopted Sean Astin (born February 25, 1971), when he was 3 years old, then divorced November 3, 1985. Roughly four years later, he married Valerie Ann Sandobal on March 19, 1989 and is still presently married. He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), and then played "Grandpa Addams" in the short-lived TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and is still active (1957-present) regularly appearing in films. Currently resides in Baltimore, Maryland with current wife. Astin was nominated for the Academy Award for Best Live Action Short Film for his directorial debut, the comedic short Prelude (1968).
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Directors: Jerome Robbins & Robert Wise
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Charles Walters
Director: Arthur Hiller
Director: Gary Nelson
Director: Gary Nelson
Director: Peter Jackson
Arrow 4K Blu-ray teased for many years, will come out once Turbine's exclusivity rights expire
Director: Peter Jackson
Arrow 4K Blu-ray teased for many years, will come out once Turbine's exclusivity rights expire
5 films
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