Biography from Wikipedia via TMDB
10 in 4K
UHD Blu-ray or 4K streaming
Supporting role · Director: William Friedkin
Kino Lorber 4K Blu-ray or France 4K Blu-ray for the extras?
Small role · Director: Andrew Davis
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Arrow 4K Blu-ray see caps
It's weird. Brightly lit scenes have zero grain. They look plenty detailed and not at all waxy and lifeless, but there's no grain. Darker scenes have a fine layer of it as befits the general rule of thumb with film. Either they shot this on the 50-speed EXR stock of the day - virtually grainless in the right conditions - or it's been expertly 'grain managed'. I say 'expertly' becuz there's no trailing artefacts, no sticky grain that I can see, it's some of the best such treatment I've ever seen. And IF it has been I can only think the edict came down from the director himself.
Arrow 4K Blu-ray omitted the original 5.1 track for a 2.0 and Atmos.
US DVD has the DD5.1
For Stereo track: Warner Home Video JPN LaserDisc [NJWL-12420]
Small role · Director: Wolfgang Petersen
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
The DV FEL layer noticeably restores high-frequency detail that’s missing from the base layer. See caps. issue: the 4K disc is missing chyron in some beginning shots. TBC officially.
5.1: Shout! Factory 4K Blu-ray
Stereo: US Warner Bros LaserDisc
Small role · Director: Oliver Stone
Small role · Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
Small role · Director: Oliver Stone
Theatrical Cut 4K Blu-ray in August
Director's Cut: Shout! Factory 4K Blu-ray
Theatrical Cut: Shout! Factory Blu-ray (included with collector's edition)
Theatrical Cut: The Shout UHD DTS-HD 2.0
Theatrical Cut: The Shout UHD DTS-HD 2.0 seems to be the same mix overall as the 1992 laserdisc PCM 2.0 but its not a straight port. Even though there are some minor differences, it does not seem to be a downmix of the 5.1. It could possibly be a new mastering. It has just a tiny bit more dynamic range than the laserdisc, but the laserdisc has a bit more presence in the lower and midrange frequencies.
Small role · Director: Oliver Stone
Director's Cut: WB Director's Cut DVD
Final Cut: Shout! Factory 4K Blu-ray
3 in HD
Blu-ray or HD streaming
Supporting role · Director: Steven Spielberg
Small role · Director: Oliver Stone
Sources: hometheaterforum.com (opens in a new tab) · x.com (opens in a new tab)
A improved Shout! Factory 4K Blu-ray teased by Oliver Stone
Better than 2022 Shout! Factory 4K Blu-ray due to poor encode and heavy DNR (review)
1 in SD
DVD, SD streaming, LaserDisc or VHS
Supporting role · Director: John Mark Robinson
US Image Entertainment LaserDisc is pan-and-scan, but is the best quality release of the film. Widescreen version never released on home video.
US Image Entertainment LaserDisc has the original Dolby Stereo mix.
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