Fast Company (1979)
Drama, Action • 1h 33m
Overview
An over the hill drag racer finds himself considering retirement and ceding the spotlight to his protégé and targeted for replacement by the oil-company executive who sponsors his team.
Director: David Cronenberg
Cast: William Smith, Claudia Jennings, John Saxon, Nicholas Campbell, Don Francks, Cedric Smith, Judy Foster, Robert Haley, George Buza, David Graham, David Petersen, Chuck Chandler, Cheri Hilsabeck, Sonya Ratke, Michael Bell, Douglas Main, Patricia Goodwin, L. Peter Feldman, Graham Light, Fred Hodgson, Michael Ouellette, Trevor Yacyshyn, Robert Hill, Jerry Knowles, Dave Barker, Neil Dainard
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
UK Vertigo 4K Blu-ray
UK Vertigo 4K Blu-ray
Director: David Cronenberg
UK Vertigo 4K Blu-ray
UK Vertigo 4K Blu-ray
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
Director: David Cronenberg
NSM Records 4K Blu-ray
NSM Records 4K Blu-ray
Director: David Cronenberg
NSM Records 4K Blu-ray
NSM Records 4K Blu-ray
Director: David Cronenberg
France Metropolitian 4K Blu-ray
France Metropolitian 4K Blu-ray
Director: David Cronenberg
France Metropolitian 4K Blu-ray
France Metropolitian 4K Blu-ray
Director: Ralph Bakshi
Director: Ralph Bakshi
Director: Don Taylor
Director: Don Taylor
Director: Dario Argento
Director: Dario Argento
Director: Lucio Fulci
Arrow 4K Blu-ray is is a bit stronger than the very good Blue Underground The differences in the body of the film are negligible, but Arrow does have all three main credit sequences (Zombi 2, Zombie Flesh Eaters, and Zombie) that play in 4K via seamless branching. They also un-stabilized the handheld shot in the Zombie closing credits that Blue Underground had stabilized when they added new digital titles. It's back to looking properly handheld.
Arrow 4K Blu-ray > Blue Underground 4K Blu-ray, "has the original Italy mono - think someone said earlier that the Blue Underground was a downmix on that track and the Arrow is corrected"
Director: Lucio Fulci
Arrow 4K Blu-ray is is a bit stronger than the very good Blue Underground The differences in the body of the film are negligible, but Arrow does have all three main credit sequences (Zombi 2, Zombie Flesh Eaters, and Zombie) that play in 4K via seamless branching. They also un-stabilized the handheld shot in the Zombie closing credits that Blue Underground had stabilized when they added new digital titles. It's back to looking properly handheld.
Arrow 4K Blu-ray > Blue Underground 4K Blu-ray, "has the original Italy mono - think someone said earlier that the Blue Underground was a downmix on that track and the Arrow is corrected"
Director: Harry Kümel
Director: Harry Kümel
Director: Lucio Fulci
Director: Lucio Fulci
Director: William Lustig
Director: William Lustig
Director: Larry Cohen
Director: Larry Cohen
Director: Bob Clark
Director: Bob Clark
More Drama on Blu-ray
Director: Andrzej Wajda
Director: Andrzej Wajda
Director: Rolf de Heer
Director: Rolf de Heer
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Vincent Ward
Director: Vincent Ward
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: John Ford
Director: John Ford
Edit History
3/21/2026
Best English-Friendly Release
From
Blue Underground Blu-ray
From
Blue Underground Blu-ray
Best Video Release
From
Blue Underground Blu-ray
From
Blue Underground Blu-ray
2/27/2026
Format
Added
1080p Blu-ray
Added
1080p Blu-ray
Best English-Friendly Release
Added
Blue Underground Blu-ray
Added
Blue Underground Blu-ray
Best Video Release
Added
Blue Underground Blu-ray
Added
Blue Underground Blu-ray
Blu-ray.com
Added
https://www.blu-ray.com/Fast-Company/19452/#Releases
Added
https://www.blu-ray.com/Fast-Company/19452/#Releases
