Tomorrow Never Dies (1997)
Adventure, Action, Thriller • 1h 59m
Director: Roger Spottiswoode
Cast: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto, Joe Don Baker, Vincent Schiavelli, Judi Dench, Desmond Llewelyn, Samantha Bond, Colin Salmon, Geoffrey Palmer, Julian Fellowes, Terence Rigby, Cecilie Thomsen, Nina Young, Daphne Deckers, Colin Stinton, Al Matthews, Mark Spalding, Bruce Alexander, Anthony Green, Christopher Bowen, Dominic Shaun, Julian Rhind-Tutt, Gerard Butler, Adam Barker, Michael Byrne, Pip Torrens, Hugh Bonneville, Jason Watkins, Eoin McCarthy, Brendan Coyle, David Ashton, William Scott-Masson, Laura Brattan, Nadia Cameron-Blakey, Liza Ross, Hugo Napier, Rolf Saxon, Vincent Wang, Phillip Kwok, Khan Bonfils, Romo Gorrara, Dinny Powell, Antje Schmidt, Sophie Schütt
Best English-friendly & video release · updated 10 months ago
Overview
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
Director: Terence Young
Director: Lewis Gilbert
Director: Guy Hamilton
Director: Terence Young
WB 4K Blu-ray despite frozen grain
Director: Guy Hamilton
Director: Cary Joji Fukunaga
(for original forced subtitles font)
IMAX sequences have not been released on home video to date
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Director: Roger Spottiswoode
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Vincente Minnelli
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: John Frankenheimer
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Director: David Lynch
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
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