Babylon (2022)
Drama, Comedy • 3h 9m
Overview
A tale of outsized ambition and outrageous excess, tracing the rise and fall of multiple characters in an era of unbridled decadence and depravity during Hollywood's transition from silent films to sound films in the late 1920s.
Director: Damien Chazelle
Cast: Diego Calva, Margot Robbie, Brad Pitt, Jovan Adepo, Jean Smart, J.C. Currais, Jimmy Ortega, Marcos A. Ferraez, Shane Powers, Phoebe Tonkin, Troy Metcalf, Hansford Prince, Telvin Griffin, Cutty Cuthbert, Albert Hammond Jr., Flea, Olivia Wilde, Bregje Heinen, Tal Seder, Dana Marcolina, Robert Morgan, Nana Ghana, E.E. Bell, Joe Dallesandro, Solomon Shiv, Karina Fontes, Circus-Szalewski, Lukas Haas, Li Jun Li, Kaia Gerber, Patrick Fugit, Eric Roberts, Cici Lau, David Lau, Tyler Seiple, Zack Newick, Rory Scovel, Olivia Hamilton, P.J. Byrne, Alexandre Chen, Bob Clendenin, Miraj Grbić, Johnny Hoops, James Wellington, Carlos Nunez, Max Minghella, Laura Steinel, Danny Jolles, James Vincent, Richard Clarke Larsen, Samara Weaving, Jeff Garlin, Anthony Burkhalter, Terry Walters, Trisha Simmons, Ariel Flores, Karolina Szymczak, Sean O'Bryan, David Ury, Katia Gomez, Vanessa Bednar, Carson Higgins, Armando Cosio, Frederick Koehler, Spencer Morgan, Ric Sarabia, Jim Allen Jackson, Katherine Waterston, Yissendy Trinidad, Cyrus Hobbi, Anton Hedayat, Hayley Huntley, John Mariano, Christopher Allen, Arely Vianet, Jeremy Roberts, Alex Reznik, Chloe Fineman, Pat Skipper, John Kerry, Sarah Ramos, Jennifer Grant, Julian Lefevre, Taylor Nichols, Bryan Scott Johnson, Kelly Meyer, Brenna Power, David Abed, Kevin Symons, Jonathan Thomson, Jim O'Brien, Chris Doubek, Dorian Martin, Todd Giebenhain, Mather Zickel, Ireland Sexton, Andrew Hawtrey, Mike Fletcher, Jonathan Ohye, James Crittenden, Pete Ploszek, Robert Beitzel, Ethan Suplee, Tobey Maguire, Walker Hare, Douglas Fruchey, Taylor Hill, Marc Platt, Noah Reilly, Stephen Thomas, John Macey, Kenajuan Bentley, Karen Bethzabe, Sophia Magaña, Oscar Balderrama, Aurielle Simmons, Eamon Hunt, Jeremy Lappitt, Robert Verdi, Kenneth Foerch, Sean Franz, Jonathan Stehney, Andrew Leonard, Richard Dobeck, Alex Budman, Jacob Scesney, Frank Fontaine, Anibal Seminario, Scott Mayo, Dan Kaneyuki, Alex Sadnik, Gerald Dixon, Rickey D. Woodard, Jonathan James Thompson, Francis C. Edemobi, Larry O. Williams, Aaron Shaw, Micah Wright, Rayner Fernandez, Glen Turner, Roy Wiegand, Bryce Schmidt, Sean Billings, Aaron O. Smith, Justin Gilmore, Johnny Britt, Keith Beyer, Luis Gonzalez, Francisco Torres, Gary Hickman, Steve Suminski, Wendell Kelly, Byron Sleugh, Ryan Porter, Jeffery Miller, Mykail McDade, William Roper, Philip Keen, Erm Navarro, Alvin Starks, Robert Murray, John Polite, Errol Rhoden III, Kyle Richter, Sidney Hopson, Ronald Bruner, Dramane Kone, Lyndon Rochelle, Joey de Leon, Dayramir Gonzàlez, Greg Sadler, Michael Naishtut, Joseph Small, Avery Baylin, Jalen Harvey, Lara Wickes, Andrew Lederman, Karen Han, Justin Smith, Mateo Pollock, Hamed Santigui Camara, Brandon Owens, John Fluker, Jordan Seigel, Ralph Nader, Kevin Toney, Eric Reed, John Proulx, Michael Bustamante, Darrell Alston, Evan Greer, Gregory Poree, Joshua Alfaro, Brent Tyler, Ian Wurfl, Keelan Tobia, Justin Hargrove, Greg Webster, Luis Vadel, Benjamin Jacobson, Dean Anderson, Joel Pargman, Steve Huber, Eric Boulanger, Fernando Arroyo Lascurain, Lora'nd Lokustza, Michael Freed, Robert Miskey, Robin Olson, Aaron Oltman, Peter Hatch, Phillip Triggs, Rodney Wirtz, Zach Dellinger, Benjamin Hoffman, Benjamin Penzner, Alex Mansour, Evgeny Tonkha, Michael Kaufman, Steve Velez, Raymond Newell, Del Atkins, Edwin Livingston, Miguel Norwood, Frank Abraham, Richard Simon, Marlon Martinez, Spike Jonze, Lewis Tan, Manny Liotta, Freya Parker, Anna Chazelle, Mike C. Manning, Anna Dahl, Jennifer Mariela Bermeo, Azizi Donnelly, Masha Ko, Ana Bergman, Edwin Taylor, Kevin Kaouthomn
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
Director: Damien Chazelle
Italy Eagle Pictures has DV, better encode, and no brightness shifts compared to Lionsgate 4K Blu-ray
Lionsgate 4K Blu-ray for the original Dolby Atmos mix
Hong Kong Panorama 4K Blu-ray has two interviews available in HD that are SD everywhere else
Director: Damien Chazelle
Universal 4K Blu-ray. IMAX scenes are reference quality, everything else is solid
Director: Damien Chazelle
Universal 4K Blu-ray. IMAX scenes are reference quality, everything else is solid
Director: Damien Chazelle
Director: Damien Chazelle
Director: Stanley Donen
Director: Stanley Donen
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
More Drama on Blu-ray
Director: George Roy Hill
Director: George Roy Hill
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Joe Wright
Director: Joe Wright
Director: Rob Reiner
Director: Rob Reiner
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