Steven Spielberg
8 Films
Steven Spielberg
8 Included Films

Steven Allan Spielberg KBE (born December 18, 1946) is an American filmmaker. A major figure of the New Hollywood era and pioneer of the modern blockbuster, Spielberg is widely regarded as one of the greatest and most influential filmmakers in the history of cinema and is the highest-grossing film director of all time. Among other accolades, he has received three Academy Awards, four Golden Globe Awards and three BAFTA Awards, as well as the AFI Life Achievement Award in 1995, an honorary knighthood in 2001, the Kennedy Center Honors in 2006, the Cecil B. DeMille Award in 2009, the Presidential Medal of Freedom in 2015, and the National Medal of Arts in 2023. According to Forbes, he is the wealthiest celebrity. Spielberg was born in Cincinnati, Ohio, and grew up in Phoenix, Arizona. He moved to California and studied film in college. After directing several episodes for television, including Night Gallery and Columbo, he directed the television film Duel (1971), which Barry Diller approved. He made his theatrical debut with The Sugarland Express (1974), also beginning his decades-long collaboration with composer John Williams, with whom he has worked for all but five of his theatrical releases. He became a household name with the summer blockbuster Jaws (1975). He continued directing acclaimed escapist box-office hits with Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982), and the original Indiana Jones trilogy (1981–1989). He also explored drama in The Color Purple (1985) and Empire of the Sun (1987). In 1993, Spielberg directed back-to-back hits with the science fiction thriller Jurassic Park, the highest-grossing film at the time, and the epic historical drama Schindler's List, which has often been ranked among the greatest films ever made. He won the Academy Award for Best Director for the latter as well as for the World War II epic Saving Private Ryan (1998). Spielberg has since directed the science fiction films A.I. Artificial Intelligence (2001), Minority Report (2002), War of the Worlds (2005) and Ready Player One (2018); the historical dramas Amistad (1997), Munich (2005), War Horse (2011), Lincoln (2012), Bridge of Spies (2015) and The Post (2017); the comedies Catch Me If You Can (2002) and The Terminal (2004); the animated film The Adventures of Tintin (2011); the musical West Side Story (2021); and the family drama The Fabelmans (2022). Spielberg co-founded Amblin Entertainment and DreamWorks Pictures, and he has served as a producer for many successful films and television series, among them Poltergeist (1982), Gremlins (1984), Back to the Future (1985), An American Tail (1986), Who Framed Roger Rabbit (1988), Animaniacs (1993), Freakazoid! (1995), Twister (1996), Band of Brothers (2001) and Transformers (2007). Several of Spielberg's works are considered among the greatest films in history, and some are among the highest-grossing films of all time. Seven of his films have been inducted into the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". In 2013, Time listed him among the 100 most influential people. In 2023, Spielberg was the recipient of the first-ever Time 100 Impact Award in the US. Description above from the Wikipedia article Steven Spielberg, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Steven Spielberg
Director: Steven Spielberg
Director: John Landis
Director: John Landis
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Paramount 4K Blu-ray heavily revisionist. Purist option: 35mm scan, Blu-ray, DVD or LaserDisc.
The Paramount 4K master is HEAVILY revisionist in that all of the effects and opticals were redone and tweaked with errors and issues. There has been grain management (moments of stagnating grain and haloing) and the encoding isn't great hence the typical Paramount noise in the image. (especially skies) The HDR is a bit bright in the highlights. The Blu-ray is showing its age but does not have any of these digital alterations. It is from the scan done by Laser Pacific and is the highest quality unaltered master we have. The DVD was done by Lowry Digital and had much scrubbing and processing of grain in addition to edge enhancement. The letterbox LaserDisc was the first widescreen release and is very good for its time.
The 4K Blu-ray audio is seemingly an Atmos remix of the 5.1 found on the Blu-ray which itself is very similar to the DVD 5.1. All are presumably based on the 70mm Dolby six track mix. The Atmos is more processed and moves the sound around more so it is inferior to the older 5.1 iterations. On release Temple of Doom had 70mm, 35mm Dolby Stereo and mono mixes. The mono was for 16mm and other outlets and is presumably close to if not a mixdown of the stereo. It is seemingly the last Lucasfilm title that had a mono mix made. The Dolby Stereo is one of the most aggressive matrix mixes ever made and is still a blast to this day on the letterbox LaserDisc release. It is more aggressive than any of the 5.1 discrete versions which is either due to studios taming the audio later or the 35mm mix being handled a bit differently to the 70mm mix. In terms of releases today, the LaserDisc still sounds better than DVD, Blu-ray or 4K Blu-ray because of this factor.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Director: Joe Dante
Director: Joe Dante
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
https://forum.blu-ray.com/showpost.php?p=23286334&postcount=7340
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
Universal 4K Blu-ray Trilogy Steelbook 2025, but has more DNR than old 4K
https://forum.blu-ray.com/showpost.php?p=23286334&postcount=7340
Director: Barry Sonnenfeld
2022 Sony 4K Blu-ray Steelbook
2022 Sony 4K Blu-ray Steelbook
Director: Barry Sonnenfeld
2022 Sony 4K Blu-ray Steelbook
2022 Sony 4K Blu-ray Steelbook
Director: Cameron Crowe
Director: Cameron Crowe
Photoplay has a very good DCP with great PQ for a TV movie, but no home media release.
Photoplay has a very good DCP with great PQ for a TV movie, but no home media release.
8 films







