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Lee Strasberg

Lee Strasberg

1 Film

Lee Strasberg

1 Included Film

Lee Strasberg photo

​From Wikipedia, the free encyclopedia.   Lee Strasberg (November 17, 1901 – February 17, 1982) was an American actor, director and acting teacher.  He cofounded, with directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931, which was hailed as "America's first true theatrical collective".  In 1951, he became director of the non-profit Actors Studio, in New York City, considered "the nation's most prestigious acting school".  In 1969, Strasberg founded the Lee Strasberg Theatre and Film Institute in New York City and in Hollywood to teach the work he pioneered. He is considered the "father of method acting in America," according to author Mel Gussow, and from the 1920s until his death in 1982 "he revolutionized the art of acting by having a profound influence on performance in American theater and movies".  From his base in New York, he trained several generations of theatre and film's most illustrious talents, including Anne Bancroft, Dustin Hoffman, Montgomery Clift, Marlon Brando, James Dean, Marilyn Monroe, Julie Harris, Paul Newman, Al Pacino, Robert De Niro and director Elia Kazan.  Former student Elia Kazan directed James Dean in East of Eden (1955), for which Kazan and Dean were nominated for Academy Awards. As a student, Dean wrote that Actors Studio was "the greatest school of the theater [and] the best thing that can happen to an actor".  Playwright Tennessee Williams, writer of A Streetcar Named Desire, said of Strasberg's actors, "They act from the inside out. They communicate emotions they really feel. They give you a sense of life." Directors like Sidney Lumet, a former student, have intentionally used actors skilled in Strasberg's "Method".  Kazan, in his autobiography, wrote, "He carried with him the aura of a prophet, a magician, a witch doctor, a psychoanalyst, and a feared father of a Jewish home.... [H]e was the force that held the thirty-odd members of the theatre together, and made them 'permanent.'"  :61 Today, Ellen Burstyn, Al Pacino, and Harvey Keitel lead this nonprofit studio dedicated to the development of actors, playwrights, and directors. Description above from the Wikipedia article Lee Strasberg, licensed under CC-BY-SA, full list of contributors on Wikipedia.

UHD Blu-ray
Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

Paramount 2008 Blu-ray Coppola Restoration

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

Best English-Friendly:

Paramount 2008 Blu-ray Coppola Restoration

Best Video:

Paramount 2008 Blu-ray Coppola Restoration

Best Audio:

Paramount 2008 Blu-ray Coppola Restoration

Additional Info:

The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0

1 film

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