Emilio Estevez

Sony 4K Blu-ray looks like a very nice upgrade and is maybe even more but people are debating the addition of a Kieślowski-like yellow color filter they put over a segment in the film at around 16 minutes, on the other hand, this cap of the Blu-ray looks terrible and clearly not right either, so leaning on Sony having reinstated the filter

Criterion 4K see caps

Criterion Blu-ray and Universal 30th anniversary both use same 4K scan, Universal has more bitrate but looks the same, Criterion has more extras https://caps-a-holic.com/c.php?d1=11241&d2=9287&c=3754

Note: The StudioCanal UK 4K Blu-ray is from the same master but the presentations differ;

The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.

The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.

The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.