Marianna Hill
3 Films
Marianna Hill
3 Included Films
Marianna Hill, born Marianna Schwarzkopf, is an American stage and screen actress mostly working in American television. Her initial acting experience came when she was an apprentice at the Laguna Playhouse and later as an actress at the La Jolla Playhouse. She is a life member of The Actors Studio. She has appeared in more than 70 feature films and television episodes. She co-starred in the Elvis Presley film Paradise, Hawaiian Style in 1966 as Lani Kaimana; the Clint Eastwood film High Plains Drifter as Callie Travers in 1973; and in The Godfather II as Deanna Dunn-Corleone.
Director: Haskell Wexler
Criterion Blu-ray is slightly better than MoC Blu-ray: while both are from a 4K restoration approved by director, MoC is more sharpened but gamma is flatter see caps
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Director: Haskell Wexler
Criterion Blu-ray is slightly better than MoC Blu-ray: while both are from a 4K restoration approved by director, MoC is more sharpened but gamma is flatter see caps
Paramount DVD and potentially Paramount LaserDisc see blah-ray
Criterion and MoC Blu-ray has the same audio, and additional (destructive) hiss reduction was applied, and one segment was made significantly louder.
Also, every home video release except the 1982 Paramount VHS cassette replaces Wild Man Fischer's 'Merry-Go-Round' in the roller derby scene with a version of 'Sweet Georgia Brown' by Brother Bones. Two very different songs, and one must assume that the tone of the scene has changed considerably
Director: Clint Eastwood
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
3 films