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Cast
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Lee Miller

Lee Miller

7 Films

Lee Miller

7 Included Films

1080p Blu-ray
Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion Blu-ray

Moonrise poster
1080p Blu-ray
Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion Blu-ray

UHD Blu-ray
Best English-Friendly:

Paramount 4K Blu-ray or Blu-ray

Best Video:

Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice

Best Audio:

Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.

Additional Info:

The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.

Best English-Friendly:

Paramount 4K Blu-ray or Blu-ray

Best Video:

Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice

Best Audio:

Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.

Additional Info:

The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.

1080p Blu-ray
Best English-Friendly:

Warner Archive Blu-ray

Best English-Friendly:

Warner Archive Blu-ray

1080p Blu-ray
Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion 2k resto

Best Audio:

2008 Paramount DVD

Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion 2k resto

Best Audio:

2008 Paramount DVD

UHD Blu-ray
Best English-Friendly:

Paramount 4K Blu-ray

Best Video:

Paramount 4K Blu-ray see caps

Best English-Friendly:

Paramount 4K Blu-ray

Best Video:

Paramount 4K Blu-ray see caps

UHD Blu-ray
Best English-Friendly:

Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray

Best Video:

Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray

Best English-Friendly:

Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray

Best Video:

Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray

UHD Blu-ray
Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray

Best Audio:
  • Arrow's English mono is from the soundtrack negatives, with light noise reduction but still the highest quality anywhere. The main title is restored from the 1985 LaserDisc analog mono.

  • The 1985 CBS/Fox LaserDisc for untouched English mono despite element defects and an incomplete print used. The main title on this LaserDisc is the highest quality version known to exist.

    The Arrow 5.1 is a careful upmix from their mono restoration to create a purist multichannel mix.

  • The Italy mono exists in lesser quality but Arrow performed additional restoration work to improve what they could.

Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray

Best Audio:
  • Arrow's English mono is from the soundtrack negatives, with light noise reduction but still the highest quality anywhere. The main title is restored from the 1985 LaserDisc analog mono.

  • The 1985 CBS/Fox LaserDisc for untouched English mono despite element defects and an incomplete print used. The main title on this LaserDisc is the highest quality version known to exist.

    The Arrow 5.1 is a careful upmix from their mono restoration to create a purist multichannel mix.

  • The Italy mono exists in lesser quality but Arrow performed additional restoration work to improve what they could.

7 films

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