Anne Bancroft
7 Films
Anne Bancroft
7 Included Films
Anne Bancroft (born Anna Maria Louisa Italiano; September 17, 1931 – June 6, 2005) was an American actress. Respected for her acting prowess and versatility, Bancroft received an Academy Award, three BAFTA Awards, two Golden Globe Awards, two Tony Awards, two Primetime Emmy Awards, and a Cannes Film Festival Award. She is one of only 24 thespians to achieve the Triple Crown of Acting. Bancroft was born Anna Maria Louisa (or Luisa) Italiano on September 17, 1931, in the Bronx, New York City, the middle of three daughters of Mildred (née Di Napoli), a telephone operator, and Michael G. Italiano, a dress pattern maker. Both of her parents' surnames were toponymic. Her parents were Italian immigrants from Southern Italy. In an interview, she stated that her family was originally from Muro Lucano, in the province of Potenza. She was raised in the Roman Catholic faith. Bancroft was raised in Little Italy, in the Belmont neighborhood of the Bronx, attended P.S. 12, later moving to 1580 Zerega Ave. Bancroft's Broadway debut in the two-character drama Two for the Seesaw (1958), brought her wide recognition for the depth of her talent and garnered her a Tony Award for best supporting actress. She won the Academy Award for Best Actress for her performance as Annie Sullivan in The Miracle Worker (1962), and was nominated for an Academy Award for Best Actress for her performance as Mrs. Robinson in The Graduate (1967). Bancroft continued to have a successful career in film and television. She starred in a number of other films, including The Elephant Man (1980), 84 Charing Cross Road (1987), and Agnes of God (1985), for which she was nominated for an Academy Award for Best Actress. She also had a recurring role on the television series Modern Family. Bancroft was married to director Mel Brooks from 1964 until her death in 2005. They had one son, Max Brooks.
Twilight Time OOP Blu-ray has slightly tighter grain control than US Shout! Factory Anne Bancroft Collection Blu-ray see caps on BR
Twilight Time OOP Blu-ray has slightly tighter grain control than US Shout! Factory Anne Bancroft Collection Blu-ray see caps on BR
Director: Arthur Penn
Director: Arthur Penn
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: John Ford
The audio on the Warner Archive Blu-ray is appalling. It starts to cutoff at around 6kHz to have nothing above 10kHz. The LaserDisc is much more full-frequency.
Director: Mike Nichols
StudioCanal 4K
StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.
Director: Mike Nichols
StudioCanal 4K
StudioCanal 4K caps.Criterion Blu-ray better encode than StudioCanal Blu-ray.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: Ridley Scott
Australia Imprint 4K Blu-ray (caveat: cropped image compared to the Disney Blu-Ray)
Director: Ridley Scott
Australia Imprint 4K Blu-ray (caveat: cropped image compared to the Disney Blu-Ray)
7 films