Harry-Max
2 Films
Harry-Max
2 Included Films
Harry-Max, de son vrai nom Maxime Louis Charles Dichamp, est un acteur français, né le 23 novembre 1901 à Paris et mort le 13 mars 1979 à Ivry-sur-Seine. Dans la dernière partie de sa vie, il participa à de nombreux téléfilms ou séries, parmi lesquels, Les Saintes chéries, Vidocq, La caméra explore le temps, Les Cinq Dernières Minutes, Sébastien parmi les hommes, et aussi à l'émission de Pierre Sabbagh Au théâtre ce soir. Il fait un bref passage dans le film Hibernatus avec Louis de Funès dans le rôle d'un très vieil homme, ami de l'hiberné. Acteur attachant, il était surtout connu pour ses rôles fantaisistes mais pouvait également faire dans le dramatique avec beaucoup de talent.
Director: René Clair
Director: René Clair
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
2 films