Martine Brochard
1 Film
Martine Brochard
1 Included Film
Martine Brochard (born 1944) is a French actress and writer. Born in Paris, Brochard debuted in 1968 in a minor role in François Truffaut's Baisers volés. In 1970 she moved to Italy, where she became a minor star in genre films, including poliziotteschi, commedia sexy all'italiana and giallo films. From the mid 70's she regularly appears in Italian TV-series and on stage. In 1995 and 1999 she released two collection of stories for children, La gallina blu e altri racconti and Zaffiretto il vampiretto e altri racconti. In 2003 Brochard was diagnosed with leukemia, a disease from which she was able to recover. Description above from the Wikipedia article Martine Brochard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
Director: François Truffaut
Criterion The Adventures of Antoine Doinel 4K Blu-ray set
Criterion 4K Blu-ray > Carlotta, with debatable color gradings from master (yellow hues).
See nicolas review https://criterionforum.org/forum/viewtopic.php?p=842821#p842821
"Carlotta’s encodes were terrible with heavy blocking in the highlights and pervasive chroma noise. Criterion / NexSpec did much better and only occasionally struggles with skies. Grain is finely detailed and it doesn’t look filtered. Grading is debatable and particularly whether all three subsequent films (shot years apart by two cinematographers, one of them being the legendary Néstor Almendros) have roughly the same visual identity. Still, colors are adequately balanced with variations in the (yellowish) hues, there are no tints, black levels and shadow detail is excellent."
1 film