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Steve Barron

Steve Barron

2 Films

Steve Barron

2 Included Films

Steve Barron photo

Steven Barron (born May 4, 1956) is an Irish director and producer. He best known for directing the films Coneheads (1993), Teenage Mutant Ninja Turtles (1990) and the innovative music videos for a-ha's "Take on Me" and Michael Jackson's "Billie Jean". He was born in Dublin, Ireland, the son of filmmaker Zelda Barron. He attended St Marylebone Grammar School and made his directorial debut in 1979 and directed many of the 1980s' most memorable music videos, including "Billie Jean" by Michael Jackson, "Money for Nothing" by Dire Straits, and "Take on Me" by a-ha. Barron only made eight music videos in the early 90s and made his last music video in 1993 for David Bowie's "As the World Falls Down". In 1984, he directed the science fiction comedy Electric Dreams, and then went on to direct several episodes of the television series The Storyteller before returning to the big screen, directing films such as Teenage Mutant Ninja Turtles in 1990, The Adventures of Pinocchio in 1996, Rat in 2000 and Mike Bassett: England Manager in 2001. Barron has also directed several award winning miniseries, such as Merlin (1998), Arabian Nights (2000) and Dreamkeeper (2003) for Hallmark Entertainment. In July 2010 it was revealed that Barron would make a return to music videos, directing the final video of a-ha, "Butterfly Butterfly (The Last Hurrah)". Description above from the Wikipedia article Steve Baron, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Teenage Mutant Ninja Turtles poster
UHD Blu-ray
Best English-Friendly:

Arrow 4K Blu-ray

Best Video:

Arrow 4K Blu-ray see caps

Best Audio:

New Line LaserDisc

English-Friendly:

Arrow 4K Blu-ray

Video:

Arrow 4K Blu-ray see caps

Audio:

New Line LaserDisc

Coneheads poster
UHD Blu-ray
Best English-Friendly:

Kino Lorber 4K Blu-ray

Best Video:

Kino Lorber 4K Blu-ray has poor encode: Dolby Vision caps

Best Audio:

DVD or LaserDisc for original mix Thanks to the magic of Dolby Stereo encoding the 2.0 mix actually has much better surround activity compared to the 5.1 mix, which feels flat and lifeless. The surround mix is also missing elements (eg @ 0:04:58 the zapping sound doesn't extend to the surrounds on the 5.1 track, same with the flickering sound @ 0:21:46, etc)

Coneheads poster
UHD Blu-ray
English-Friendly:

Kino Lorber 4K Blu-ray

Audio:

DVD or LaserDisc for original mix Thanks to the magic of Dolby Stereo encoding the 2.0 mix actually has much better surround activity compared to the 5.1 mix, which feels flat and lifeless. The surround mix is also missing elements (eg @ 0:04:58 the zapping sound doesn't extend to the surrounds on the 5.1 track, same with the flickering sound @ 0:21:46, etc)

2 films

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