
Biography from Wikipedia via TMDB
Leading role · Director: Spike Lee
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Imprint 4K Blu-ray > UK ICON > Criterion.
Imprint is same master as Criterion but encoded by Fidelity in Motion without Pixelogic’s filtering.
See: https://forum.blu-ray.com/showpost.php?p=23389310&postcount=10 and https://criterionforum.org/forum/viewtopic.php?p=844792#p844792
Supporting role · Director: John Singleton
Criterion 4K Blu-ray (included in John Singleton's Hood Trilogy set)
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Criterion 4K Blu-ray is better than the earlier Sony 4K Blu-ray, which suffered from low-pass filtering and poor compression. Caps
Original matrixed Dolby Stereo mix: Criterion 4K Blu-ray
A better transfer than the Sony 4K Blu-ray
The Sony 4K Blu-ray includes an earlier 5.1 remix, which is mostly faithful to the original mix and lightly enhances and opens it up, as well as Dolby Atmos remix which is slightly more aggressive.
Criterion's release also includes a different Atmos remix to the one included from Sony, significantly more aggressive than previous releases, going for a more "immersive" feel.
Small role · Director: Ivan Reitman
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Small role · Directors: Joe Russo & Anthony Russo
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