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Frank Cady

Frank Cady

11 films on Best Blurays1 in 4K10 in HD

Frank Cady photo

Although Frank Cady's most famous role would be that of general-store owner Sam Drucker, one of the less nutty residents of Hooterville in both Green Acres (1965) and Petticoat Junction (1963), he had a history as a film, stage and television actor long before those shows. Cady also appeared on some radio programs including Gunsmoke. In the 1950s, Cady played Doc Williams in The Adventures of Ozzie and Harriet (1952), along with numerous supporting parts in movies and also appeared in television commercials for (among other products) Shasta Grape Soda. Cady has been most prolific in television and was the only actor to play a recurring character on three TV sitcoms at the same time, The Beverly Hillbillies (1962), Green Acres (1965), and Petticoat Junction (1963). Usually cast as a gregarious small-town businessman, druggist, store clerk or other type of all-around Midwestern-type good guy, Cady was actually a California native, born in Susanville in 1915. The acting bug bit him when he sang in an elementary school play, and after graduating from Stanford University he headed to London, England, to train in the theater. When World War II broke out he was already in Europe, so he enlisted in the Army Air Force and spent the next several years in postings all over the continent. After his discharge he returned to the US and headed for Hollywood. An agent saw him in a local play, signed him, and he was on his way. One of his earlier--and more atypical--roles was as a seedy underworld character pulled in for questioning in a cop's murder in the noir classic He Walked by Night (1948), and he played a succession of hotel clerks, bureaucrats, henpecked husbands and the like for the next 40+ years. He did much television work from the mid-'50s onward. Cady resided in Wilsonville, Oregon and at the time of his death had two children, three grandchildren, and three great-grandchildren.

Biography from TMDB

1 in 4K

UHD Blu-ray or 4K streaming

Supporting role · Director: Alfred Hitchcock

4K · Excellent
Best English-Friendly & Video:

Universal 4K Blu-ray

Best Audio:

2005 US DVD

10 in HD

Blu-ray or HD streaming

Supporting role · Director: Billy Wilder

Best English-Friendly:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Video:

Criterion 2k resto

Best Audio:

2008 Paramount DVD

Supporting role · Director: Richard Sale

Video format: HD Streaming

Best English-Friendly & Video:

HD Streaming

Small role · Director: Mervyn LeRoy

Best English-Friendly & Video:

Warner Archive Blu-ray

Sources: mega.nz (opens in a new tab)

Best Audio:

Warner Bros 2011 Blu-ray

Audio Notes:

The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.

It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).

Samples (WAC is mislabeled as UHD)

Additional Info:

Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).

Small role · Director: Michael Curtiz

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: George Pal

Best English-Friendly & Video:

Warner Archive Blu-ray

Sources: mega.nz (opens in a new tab)

Video Notes:

4K restoration from Original Camera Negative

Best Audio:

Warner Bros NTSC DVD

Audio Notes:

The old DVD's track has significantly better detail compared to BD, especially on the score. The BD has some extra detail on dialogue, but also exhibits strange artifacting (e.g. sample 3, 0:20) which suggests possible AI "enhancement" or some other form of aggressive filtering. In contrast, DVD appears to be completely unfiltered and sounds good throughout. Samples

As the BD is significantly rolled off, a lot of the detail (real or fabricated) is buried in the mix and not audible during normal playback.

Small role · Director: John Huston

Best English-Friendly:

Criterion Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Video:

Criterion Blu-ray 2k scan

Best Audio:

1993 MGM LaserDisc

Small role · Director: Vincente Minnelli

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Rudolph Maté

Best English-Friendly & Video:

VCI Film Noir Classics Double Feature Blu-ray

Small role · Director: Michael Curtiz

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: Anthony Mann

Video format: 1080p Blu-ray

Best English-Friendly & Video:

Arrow Video Blu-ray

Additional Info:

Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.

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