Chuck Roberson

France is using the same transfer

Paramount's DVD is from the UCLA photochemical restoration. It remains the highest quality video release of the film which is long overdue for a new transfer and could vastly improve in a new restoration as Sony proved with their 4K restorations of the Ranown Cycle. The DVD does have extensive well done supplements and is still essential. A French BD was released in late 2024 and an earlier Japanese BD exists but their transfer sources are unknown. Reviews on Amazon France seem to indicate the BD is a poor version of the DVD's HD master source.

The Kino BD has additional extras but the Laserdisc still has exclusive extras and commentary not included on the Kino release. AVOID the MGM Blu-ray for the stretched aspect ratio error that was only finally corrected for the Kino Lorber reissue after much fan outcry.

The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino in encode and extras making it easily the only version to consider.

Crystal clear, albeit with some distortion in louder areas

The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.

Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video. The old Blu-ray master and earlier DVD both had massive issues with colour.

That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l

The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino BD is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino BD adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.

• See what smilebox looks like for its smilebox trailer

• See Damn Fool Idealistic Crusader's review especially why a smilebox version is preferred, for example how a letterboxd version is actually distorted

• Even if you do not prefer the smilebox version, the letterboxd version is still present on disc 1

Same master, but less bitrate starved.

The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps

Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.

DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix

Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray

The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin. 

The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.

The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.