Raf Vallone
4 Films
Raf Vallone
4 Included Films
Raffaele "Raf" Vallone (17 February 1916 – 31 October 2002) was an Italian actor and an international film star. Born in Tropea, Calabria, the son of a lawyer, Vallone attended Liceo classico Cavour in Turin, and studied Law and Philosophy at the University of Turin and entered his father's law firm. He played professional Football at a young age, playing in Serie A for Torino. He won an Italian Cup with his team in season 1935-1936. Subsequently, he became the editorial head of the culture section of L'Unità, then the official newspaper of the Italian Communist Party, and also a film and drama critic for the Turin newspaper La Stampa. During World War II, Vallone served with the Communist resistance. His first film appearance was as a sailor in We the Living (1942), but Vallone was not interested in an acting career. Nevertheless, he was cast as a soldier competing with Vittorio Gassman for the love of Silvana Mangano in Riso amaro (Bitter Rice) (1949). The film became a neo-realist classic and Vallone was launched on an international career. In 2001 he published his autobiography, L'alfabeto della memoria, with Gremese (Rome). Vallone was married to the actress Elena Varzi from 1952 until his death. They had three children, two of whom are actors, Eleonora Vallone and Saverio Vallone. He died in Rome on 31 October 2002. Description above from the Wikipedia article Raf Vallone, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director: Giuseppe De Santis
4K restoration is done https://filmforum.org/film/bitter-rice
Director: Giuseppe De Santis
4K restoration is done https://filmforum.org/film/bitter-rice
Unofficial DVD
Unofficial DVD
Director: Peter Collinson
UK Paramount 4K Blu-ray or Kino Lorber 4K Blu-ray (preference)
UK Paramount 4K Blu-ray has good colours, but worse encode and no mono track. Kino Lorber 4K Blu-ray has bad colours but better encode and mono track.
2002 R2 Paramount DVD/2009 Paramount Blu-ray/2023 Kino Lorber 4K Blu-ray
Director: Peter Collinson
UK Paramount 4K Blu-ray or Kino Lorber 4K Blu-ray (preference)
UK Paramount 4K Blu-ray has good colours, but worse encode and no mono track. Kino Lorber 4K Blu-ray has bad colours but better encode and mono track.
2002 R2 Paramount DVD/2009 Paramount Blu-ray/2023 Kino Lorber 4K Blu-ray
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray Coppola Restoration
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
4 films