Christopher Allport
2 Films
Christopher Allport
2 Included Films

Christopher Allport (June 17, 1947 – January 25, 2008) was an American actor. Alexander Wise Allport Jr. was born in Boston. His acting life began at the age of nine in New Canaan, Connecticut, at the Children's Theatre. While at Northwestern University, he worked with director Paul Sills and Story Theatre. He performed in New York with the Public Theater at Lincoln Center, and with Ensemble Studio Theatre; and in Los Angeles at the Taper, South Coast Repertory and with Padua Playwrights. In 2007, he wrote and starred in The Backroad Home, a theatrical memoir with his original music, directed and developed by Paul Linke and produced by his wife, Susan Hayden (Ruskin Group Theatre). One of his earliest television roles was as Tim McGowan on the soap opera Another World (1973–74). Around 1975 or 1976, Allport did a screen test with actress Amy Irving for the parts of Han Solo and Princess Leia, respectively, for the upcoming filming of the 1977 movie Star Wars. Neither actor got the parts, which went to Harrison Ford and Carrie Fisher, respectively. His film credits include Savage Weekend, To Live and Die in L.A., Jack Frost, Jack Frost 2: Revenge of the Mutant Killer Snowman, and Garden Party, which was released in 2008. He died shortly after the latter film was completed. His list of television credits includes appearances on such programs as Midnight Caller, The X-Files, Commander In Chief, ER, Felicity, Mad Men, and Brothers & Sisters. His role as Andrew Campbell on Mad Men was set to be a recurring one, though he only got to appear in one episode (season one, episode 4: "New Amsterdam"). In season two, after Allport's death, they killed off his character in the American Airlines crash storyline and, later, dedicated the episode to him. On January 25, 2008, Allport was one of three men killed by three avalanches near the Mountain High ski resort in Wrightwood, San Bernardino County, California (in the San Gabriel Mountains). There were two other fatalities: Michael McKay, an off-duty member of the resort's ski patrol, and Darin Bodie Coffey. A fourth man, snowboarder Oscar Gonzales, escaped after getting lost and hitting a rock. Winter storms had been recently hitting Southern California; the San Gabriel Mountains, while usually free of avalanches, had been hit by 3 feet (0.91 m) of snow the week before Allport died.
Director: Gary Sherman
Director: Gary Sherman
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Arrow UK 4K Blu-ray >
Capelight DE 4K Blu-ray Kino Lorber US Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout BDs was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LD audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
2 films
Made with ❤️ 📀 by vanshady

