Adolphe Menjou
27 Films
Adolphe Menjou
27 Included Films
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931. [biography (excerpted) from Wikipedia]
Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review
Director: George Melford
Kino Lorber OOP Blu-ray is exactly the same restoration as the later Paramount Blu-ray, however Paramount Blu-ray runs at a much faster 24fps while Kino Lorber runs at 21fps. According to Paul Cuff's research into the correct fps and length, Kino Lorber is closest to the original 22fps by repeating frames to achieve 21fps in 24fps.
Kino Lorber has the same Bellon score as Paramount VHS and Paramount Blu-ray, but obviously Paramount Blu-ray runs a faster tempo due to changed fps
The Bellon score never uses the “Kashmiri Song” that is cited in the film’s intertitles and sung by Valentino on screen. This may well be because the intertitles of the VHS version (for which the score was composed) are from the reissue print, which changes the wording of the Sheik’s song—and thus loses the context of the original song.
While no substitute for a real orchestra, the theatre organ score by Ben Model for the Kino Lorber edition at least quotes the “Kashmiri Song” at the appropriate moments.
Read more in the realm of silence review
Director: Fred Niblo
Film Preservation Society Blu-ray is a newer restoration than the previous Cohen one. From various review like Robert Harris and Damn Fool Crusade this new restoration is really good.
Director: Fred Niblo
Film Preservation Society Blu-ray is a newer restoration than the previous Cohen one. From various review like Robert Harris and Damn Fool Crusade this new restoration is really good.
Director: Herbert Brenon
Director: Herbert Brenon
1923 version: Image Entertainment DVD. 1976 version: Criterion Blu-ray
1923 version: Image Entertainment DVD 1976 version: Criterion Blu-ray
1923 version: Image Entertainment DVD. 1976 version: Criterion Blu-ray
1923 version: Image Entertainment DVD 1976 version: Criterion Blu-ray
Director: Jack Conway
Director: Jack Conway
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Lewis Milestone
Kino Lorber Blu-ray is much better than the extra in Criterion His Girl Friday Blu-ray. Even though Kino Lorber is the international cut and only restored in HD, and Criterion is the US theatrical cut, and restored in 4K, the Criterion picture quality is atrocious http://www.dvdbeaver.com/film5/blu-ray_reviews_68/the_front_page_blu-ray.htm
Director: Lewis Milestone
Kino Lorber Blu-ray is much better than the extra in Criterion His Girl Friday Blu-ray. Even though Kino Lorber is the international cut and only restored in HD, and Criterion is the US theatrical cut, and restored in 4K, the Criterion picture quality is atrocious http://www.dvdbeaver.com/film5/blu-ray_reviews_68/the_front_page_blu-ray.htm
Director: Harry Beaumont
Director: Harry Beaumont
Director: Jack Conway
Director: Jack Conway
Director: Tay Garnett
Director: Tay Garnett
Director: Frank Borzage
BFI Blu-ray with minimal encoding improvement compared with Kino Lorber Blu-ray see DVDBeaver caps
BFI has alternative ending as extras that's not present on Kino Lorber
Director: Frank Borzage
BFI Blu-ray with minimal encoding improvement compared with Kino Lorber Blu-ray see DVDBeaver caps
BFI has alternative ending as extras that's not present on Kino Lorber
Director: Frank Capra
Director: Frank Capra
Director: Lowell Sherman
Director: Lowell Sherman
Director: Archie Mayo
Director: Archie Mayo
Director: Stephen Roberts
Director: Stephen Roberts
Director: Alexander Hall
Director: Alexander Hall
Director: William A. Wellman
Director: William A. Wellman
27 films