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Hattie McDaniel

Hattie McDaniel

24 films on Best Blurays17 in HD7 in SD

Hattie McDaniel photo

Hattie McDaniel (June 10, 1893 - October 26, 1952) was an American actress whose portrayal of Mammy in Gone with the Wind (1939) won her the Oscar for Best Supporting Actress, making her the first black person to win an Academy Award. After working as early as the 1910s as a band vocalist, Hattie McDaniel debuted as a maid in The Golden West (1932). Her maid-mammy characters became steadily more assertive, showing up first in Judge Priest (1934) and becoming pronounced in Alice Adams (1935). In this one, directed by George Stevens and aided and abetted by star Katharine Hepburn, she makes it clear she has little use for her employers' pretentious status seeking. By The Mad Miss Manton (1938) the character she portrays actually tells off her socialite employer Barbara Stanwyck and her snooty friends. This path extends into the greatest role of McDaniel's career, Mammy in Gone with the Wind (1939). Mammy is, in a number of ways, superior to most of the white folk surrounding her. From that point, McDaniel's roles unfortunately descended, with the characters becoming more and more menial. McDaniel played on the "Amos and Andy" and Eddie Cantor radio shows in the 1930s and 1940s, the title character in her own radio show "Beulah" (1947-51), and the same part on TV (Beulah, 1950).

Biography from TMDB

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Small role · Director: David Butler

Best English-Friendly & Video:

Warner Archive Blu-ray

Small role · Director: George Stevens

Video format: DVD

Best Video:

R1 WB Archives MOD DVD-R

Small role · Director: Richard Boleslawski

Best English-Friendly & Video:

Warner Archive DVD

Small role · Director: William A. Wellman

Best English-Friendly & Video:

2018 Kino Lorber Remastered Blu-ray

Sources: DVDBeaver (opens in a new tab)

Video Notes:

New 2k scan with very different color http://www.dvdbeaver.com/film3/blu-ray_reviews55/nothing_sacred_blu-ray.htm  but overall much better compared to the older Kino Lorber Blu-ray

Additional Info:

MoMA has just scanned from the original separations, and it's the only version of this classic with accurate Technicolor. This new restoration is now streaming on Criterion Channel

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