John Standing
3 Films
John Standing
3 Included Films

Sir John Ronald Leon, 4th Baronet (born 16 August 1934) is an English actor and baronet who is known as John Standing. He is the stepson of John Clements. Standing was born in London, the son of Kay Hammond (née Dorothy Katherine Standing), an actress, and Sir Ronald George Leon, 3rd Baronet, a stockbroker descended from Sir Herbert Leon, the builder of Bletchley Park. He succeeded his father as the 4th baronet in 1964, but does not use the title. The Leon family were, until 1937, owners of Bletchley Park, the country house in Buckinghamshire used in the Second World War as a code-breaking centre. He was educated at Eton College and Millfield School, Somerset. He served in the King's Royal Rifle Corps as a second lieutenant, before going on to study at the Byam Shaw School of Art in London Standing began his career in Peter Brook's 1955 production of Titus Andronicus starring Laurence Olivier and wife Vivien Leigh and later played leading parts in Oscar Wilde's The Importance of Being Earnest, Christopher Fry's Ring Round the Moon, A Sense of Detachment by John Osborne, and Noël Coward's Private Lives, with Maggie Smith. He was nominated for an Olivier award (1979) for Close of Play at the National Theatre. He made his film debut in The Wild and the Willing (1962), going on to appear in King Rat (1965), Walk, Don't Run (1966), The Psychopath (1966), The Eagle Has Landed (1976), The Elephant Man (1980), Nightflyers (1987), Mrs Dalloway (1997) and A Good Woman (2004). One of his first major television roles was as Sidney Godolphin in the BBC twelve-part serial, The First Churchills (1969). Other television appearances include Tinker, Tailor, Soldier, Spy (1979); the ITV sitcom The Other 'Arf (1980–84), with Lorraine Chase; The Choir (1995) and King Solomon's Mines (2004). In the United States, he made guest appearances in numerous weekly programmes including L.A. Law, Civil Wars and Murder, She Wrote, and co-starred briefly with Robert Wagner and Samantha Smith in the action series Lime Street (1985). In 1976, he also appeared opposite Peter O'Toole in the little-seen BBC thriller film, Rogue Male, directed by Clive Donner. He appeared in the horror film Nightflyers (1987) adapted from a short story by George R. R. Martin. In 2002, he had a speaking credit on Lost Horizons, the second studio album from the British electronic duo Lemon Jelly. On track 1, "Elements", he lists the basic “elements" that make up the world: ash, metal, water, wood, fire and sky. On track 3, "Ramblin' Man", Standing reads a long list of various locations around the world, ranging from small Sussex villages to major world capitals. In July 2010, it was confirmed that he would be appearing as Jon Arryn in the HBO series Game of Thrones, based on Martin's A Song of Ice and Fire novels.
Director: Freddie Francis
Kino Lorber Blu-ray 4K scan of Original Camera Negative
Director: Freddie Francis
Kino Lorber Blu-ray 4K scan of Original Camera Negative
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: James McTeigue
Director: James McTeigue
3 films


