Films
Mono: Warner Bros 4K Blu-ray vs Saul Zaentz LaserDisc
, or 1998 R2 WB DVD for stereo remix (more detailed)
4K Blu-ray is missing featurettes from the old Blu-ray
Mono: Warner Bros 4K Blu-ray vs Saul Zaentz LaserDisc
, or 1998 R2 WB DVD for stereo remix (more detailed)
4K Blu-ray is missing featurettes from the old Blu-ray
Director: Alex Proyas
Paramount 4K (30th anniv.)
Director: Alex Proyas
Paramount 4K (30th anniv.)
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Adrian Grünberg
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
A new Lionsgate 4K Blu-ray with both cuts and DV upcoming including with the rest of the films.
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
Director: Adrian Grünberg
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
A new Lionsgate 4K Blu-ray with both cuts and DV upcoming including with the rest of the films.
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
Director: Sylvester Stallone
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Sylvester Stallone
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal but no forced subs on non-English dialogue
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal but no forced subs on non-English dialogue
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal
Director: Ted Kotcheff
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Ted Kotcheff
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Dario Argento
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
4.0 track on the Synapse 4K Blu-ray
Director: Dario Argento
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
4.0 track on the Synapse 4K Blu-ray
Director: Jay Roach
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Director: Jay Roach
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Director: Wim Wenders
Director: Wim Wenders
Director: Martin Campbell
Australia Umbrella 4K Blu-ray (native 4K sourced) is better than Turbine Germany 4K Blu-ray which is an upscale, not a true 4k source
Director: Martin Campbell
Australia Umbrella 4K Blu-ray (native 4K sourced) is better than Turbine Germany 4K Blu-ray which is an upscale, not a true 4k source
Director: Andrei Konchalovsky
2021 Kino Lorber Blu-ray
2021 Kino Lorber Blu-ray, 4K Blu-ray has poor encoding and auto cleanup issues
Twilight Time has an isolated score
Director: Andrei Konchalovsky
2021 Kino Lorber Blu-ray
2021 Kino Lorber Blu-ray, 4K Blu-ray has poor encoding and auto cleanup issues
Twilight Time has an isolated score
Director: Josh Safdie
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Director: Josh Safdie
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Director: Charles Vidor
the older Blu-ray is included in the Criterion 4K Blu-ray
Director: Charles Vidor
the older Blu-ray is included in the Criterion 4K Blu-ray
Director: Richard Donner
Director: Richard Donner
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
Mono: Warner Bros 4K Blu-ray vs Saul Zaentz LaserDisc
, or 1998 R2 WB DVD for stereo remix (more detailed)
4K Blu-ray is missing featurettes from the old Blu-ray
Mono: Warner Bros 4K Blu-ray vs Saul Zaentz LaserDisc
, or 1998 R2 WB DVD for stereo remix (more detailed)
4K Blu-ray is missing featurettes from the old Blu-ray
Director: Alex Proyas
Paramount 4K (30th anniv.)
Director: Alex Proyas
Paramount 4K (30th anniv.)
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Tim Burton
-
Fox/Disney 4K Blu-ray, the compression is poor, but it still beats the previous Blu-ray. (Luminance plot)
The 4K Blu-ray only has Atmos which is possibly the original mix, but the previous Blu-ray’s 4.0 sounds good too.
Director: Adrian Grünberg
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
A new Lionsgate 4K Blu-ray with both cuts and DV upcoming including with the rest of the films.
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
Director: Adrian Grünberg
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
A new Lionsgate 4K Blu-ray with both cuts and DV upcoming including with the rest of the films.
US/Britain Cut: Lionsgate 4K Blu-ray
International Cut: Germany Universum Film 4K Blu-ray
Director: Sylvester Stallone
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Sylvester Stallone
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal but no forced subs on non-English dialogue
Director: Peter MacDonald
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal but no forced subs on non-English dialogue
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Eagle Pictures Italy > StudioCanal Britain, better compression than StudioCanal
Director: Ted Kotcheff
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Ted Kotcheff
A new Lionsgate 4K Blu-ray with DV upcoming including with the rest of the films.
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Mel Gibson
US Paramount 4K Blu-ray has Dolby Vision, while other countries Fox 4K Blu-ray only has HDR
Director: Dario Argento
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
4.0 track on the Synapse 4K Blu-ray
Director: Dario Argento
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
US Synapse 4K Blu-ray or Britain Shameless 4K Blu-ray (some may prefer Synapse's grading, while some prefer Shameless's grading)
4.0 track on the Synapse 4K Blu-ray
Director: Jay Roach
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Director: Jay Roach
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Universal 4K Blu-ray - caps. Good PQ upgrade but only Atmos audio.
Director: Wim Wenders
Director: Wim Wenders
Director: Martin Campbell
Australia Umbrella 4K Blu-ray (native 4K sourced) is better than Turbine Germany 4K Blu-ray which is an upscale, not a true 4k source
Director: Martin Campbell
Australia Umbrella 4K Blu-ray (native 4K sourced) is better than Turbine Germany 4K Blu-ray which is an upscale, not a true 4k source
Director: Andrei Konchalovsky
2021 Kino Lorber Blu-ray
2021 Kino Lorber Blu-ray, 4K Blu-ray has poor encoding and auto cleanup issues
Twilight Time has an isolated score
Director: Andrei Konchalovsky
2021 Kino Lorber Blu-ray
2021 Kino Lorber Blu-ray, 4K Blu-ray has poor encoding and auto cleanup issues
Twilight Time has an isolated score
Director: Josh Safdie
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Director: Josh Safdie
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
Entertainment in Video GBR UHD Blu-ray
The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.
The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.
The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.
Director: Charles Vidor
the older Blu-ray is included in the Criterion 4K Blu-ray
Director: Charles Vidor
the older Blu-ray is included in the Criterion 4K Blu-ray
Director: Richard Donner
Director: Richard Donner
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Director: Robin Hardy
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
Final Cut: StudioCanal/Lionsgate 4K Blu-ray Theatrical Cut: StudioCanal 4K Blu-ray Director's Cut: StudioCanal 4K Blu-ray
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
HD Streaming on Library of Congress see link
Total: 4772 films